{"id":90771,"date":"2025-03-14T20:48:20","date_gmt":"2025-03-14T20:48:20","guid":{"rendered":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/?p=90771"},"modified":"2025-03-14T20:52:19","modified_gmt":"2025-03-14T20:52:19","slug":"tanrisiz-sanata-inanmiyorum","status":"publish","type":"post","link":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/tanrisiz-sanata-inanmiyorum\/","title":{"rendered":"\u201cTanr\u0131s\u0131z sanata inanm\u0131yorum\u201d"},"content":{"rendered":"

Andrei Tarkovski ile s\u00f6yle\u015fi…<\/strong>
\nTARKOVSK\u0130 \u0130SM\u0130YLE, ilk kez bir filmini izlerken tan\u0131\u015fm\u0131\u015ft\u0131k. Stalker, n\u00e2m\u2013\u0131 di\u011fer \u0130zs\u00fcr\u00fcc\u00fc filmiydi bu. Bir bilim adam\u0131, bir sanat\u00e7\u0131 ve de san\u0131r\u0131m bir gazeteci yahut asker, t\u00fcm dileklerin kabul olundu\u011fu, mutlulu\u011fa ula\u015f\u0131lan esrarl\u0131 bir beldenin varl\u0131\u011f\u0131n\u0131 \u00f6\u011frenmi\u015f; ve oraya ula\u015fmak \u00fczere yola d\u00fc\u015fm\u00fc\u015flerdi. Art\u0131k beldenin \u00e7ok yak\u0131n\u0131ndayd\u0131lar. Hatta, bilim adam\u0131, bir an \u00f6nce oraya varma azmiyle d\u00fcmd\u00fcz y\u00fcr\u00fcmeye ba\u015flam\u0131\u015ft\u0131. Fakat, o gittik\u00e7e, belde kendinden uzakla\u015f\u0131yordu. Bilimin pozitivist mant\u0131\u011f\u0131yla oraya var\u0131lamayaca\u011f\u0131 ortadayd\u0131. Sanat\u0131n ya da siyasetin tan\u0131mlad\u0131\u011f\u0131 yollarla da var\u0131lamazd\u0131. Bir \u201cizs\u00fcr\u00fcc\u00fc\u201dye, onun rehberli\u011fine ihtiya\u00e7 vard\u0131. O g\u00fcne dek, \u201cizs\u00fcr\u00fcc\u00fc\u201dye t\u00e2bi olmaks\u0131z\u0131n oraya ula\u015fan yoktu. \u201c\u0130zs\u00fcr\u00fcc\u00fc\u201dn\u00fcn s\u0131rr\u0131 ise, aczinde yat\u0131yordu. Bilim adam\u0131n\u0131, sanat\u00e7\u0131y\u0131 ve di\u011fer \u015fahs\u0131 oraya g\u00f6t\u00fcren izs\u00fcr\u00fcc\u00fc \u00e2ciz, garib, fakir biriydi. Belki hayat yolculu\u011funu sembolize eden demiryolunun kenar\u0131nda bir kul\u00fcbede ya\u015f\u0131yordu. \u00dcstelik, sakat bir \u00e7ocu\u011fu vard\u0131. Onu \u201cizs\u00fcr\u00fcc\u00fc\u201d yapan, Stalker b\u00f6lgesine ula\u015ft\u0131ran da, i\u015fte bu s\u0131r; \u201cacz, fakr ve zaaf\u201d olmal\u0131yd\u0131. Onun ula\u015ft\u0131\u011f\u0131 s\u0131rra mesel\u00e2 bilim adam\u0131 ula\u015fmam\u0131\u015ft\u0131. Zira, \u201cmucizeleri cebir form\u00fcllerine hapsediyor\u201ddu.<\/p>\n

Film \u00f6ylece, bir \u015fiir gibi, bir \u0131rmak gibi ak\u0131p gidiyordu. O ak\u0131\u015f i\u00e7erisinde bizim d\u00fcnyam\u0131za b\u0131rakt\u0131\u011f\u0131 akis, bir yanda vahiy ve n\u00fcb\u00fcvvet s\u0131rr\u0131ndan kopmu\u015f modern d\u00fcnyan\u0131n ele\u015ftirisi; \u00f6b\u00fcr yandan vahye ve n\u00fcb\u00fcvvete olan mutlak ihtiyac\u0131m\u0131z; ve de o vahye t\u00e2bi olabilmek i\u00e7in kabul ve derk etmemiz gereken \u201cacz, fakr ve zaaf\u201d ger\u00e7e\u011fi idi. Filmden bizim anlad\u0131\u011f\u0131m\u0131z buydu.<\/p>\n

Ne ki, bu filmle ba\u015flayan Tarkovski merak\u0131m\u0131z sayesinde, \u015fu diyarda bir hayli \u201cTarkovski hayran\u0131\u201d oldu\u011funu \u00f6\u011frendik. \u00dcstelik, bu insanlar\u0131n \u00f6nemli bir k\u0131sm\u0131, Rabsiz ve vahiysiz ya\u015famaya azmetmi\u015f, b\u00f6ylece iki d\u00fcnyalar\u0131n\u0131 da mahveden zavall\u0131 insanlard\u0131. Dahas\u0131, Tarkovski, entel barlar\u0131n\u0131n veya Ortak\u00f6y kafelerinin entellekt\u00fcel gevezeliklerine malzeme dahi yap\u0131labilmekteydi.<\/p>\n

\u0130ster istemez, sorduk: Yoksa biz a\u015f\u0131r\u0131 iyimser bir film yorumu mu yapt\u0131k? Tarkovski\u2019ye, hi\u00e7 mi hi\u00e7 akl\u0131n\u0131n ucundan ge\u00e7meyen \u015feyler mi d\u00fc\u015f\u00fcnd\u00fcrd\u00fck?<\/p>\n

Zira, Tarkovski ger\u00e7ekten bizim anlad\u0131\u011f\u0131m\u0131z \u015feyi s\u00f6ylemek istediyse, Tarkovski\u2019ye ger\u00e7ekten hayran birinin yeri, vahiyden ka\u00e7\u0131\u015f mek\u00e2nlar\u0131 olamazd\u0131. \u00d6yleleri, \u0131\u015f\u0131\u011f\u0131 aramak varken, g\u00f6lgelerle avunamazd\u0131.<\/p>\n

Bu teredd\u00fcd\u00fcm\u00fcz, yak\u0131n bir zamanda, onunla yap\u0131lm\u0131\u015f bir m\u00fcl\u00e2kat\u0131 g\u00f6r\u00fcnce izale oldu. Tarkovski\u2019yle filmleri \u00fczerine \u00f6l\u00fcm\u00fcnden bir s\u00fcre \u00f6nce yap\u0131lan ve France\u2013Culture\u2019\u00fcn 7 Ocak 1986 tarihli say\u0131s\u0131nda yay\u0131nlanan s\u00f6yle\u015finin bir b\u00f6l\u00fcm\u00fcn\u00fc; vahiyden ve aczini Rabbine itiraftan uzak, sorusu olan ama cevap alan\u0131n\u0131 s\u0131n\u0131rlayan bir kesimin \u00e7\u0131kard\u0131\u011f\u0131 \u015eizofrengi dergisinden iktibasla sunuyoruz:<\/strong><\/p>\n

Andrei Roublev k\u00f6t\u00fcl\u00fc\u011fe maruz kalan bir d\u00fcnyada sanat\u0131n me\u015fruiyeti \u00fczerine bir film. K\u00f6t\u00fcl\u00fck s\u00fcrekli i\u015f ba\u015f\u0131ndayken g\u00fczeli husule getirme tutkusu niye?<\/strong><\/p>\n

K\u00f6t\u00fcl\u00fck ne kadar artarsa, g\u00fczeli husule getirme nedeni de bir o kadar artacak. \u015e\u00fcphesiz daha g\u00fc\u00e7 olacak, ama daha da gerekli.<\/p>\n

Tabi\u00ee bunun alel\u00e2de bir sanat olmamas\u0131 \u015fart\u0131yla.<\/p>\n

Ne demek \u201calel\u00e2de bir sanat olmamas\u0131?\u201d<\/strong><\/p>\n

Tanr\u0131n\u0131n d\u00fcnya projesi ile uyum i\u00e7inde bir sanat.<\/p>\n

\u0130nsan varoldu\u011fu s\u00fcrece, bir\u015feyler husule getirme e\u011filimi de varolacakt\u0131r. \u0130nsan kendini insan olarak hissetti\u011fi s\u00fcrece bir\u015feyler yapmaya giri\u015fecektir. \u0130\u015fte onu Yarat\u0131c\u0131s\u0131na ba\u011flayan \u015fey burada. Neye yarar sanat? Bu sorgulaman\u0131n cevab\u0131 \u015fu form\u00fclde yat\u0131yor: Sanat bir yakar\u0131\u015ft\u0131r. Bu her\u015feyi anlat\u0131yor. \u0130nsan sanat arac\u0131l\u0131\u011f\u0131yla umudunu dile getirir. Bu umudu dile getirmeyen, manev\u00ee temeli olmayan hi\u00e7bir \u015feyin sanatla ilgisi yoktur, bunlar ancak parlak birer entellekt\u00fcel analiz olabilirler. Picasso\u2019nun t\u00fcm eserleri bu entellekt\u00fcel analiz \u00fczerine kurulmu\u015ftur. Picasso d\u00fcnyay\u0131 kendi analizi, kendi entellekt\u00fcel yeniden\u2013yap\u0131lanmas\u0131 ad\u0131na boyar. Ad\u0131n\u0131n t\u00fcm prestijine ra\u011fmen, itiraf etmeliyim ki, sanata hi\u00e7bir zaman ula\u015famad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

D\u00fcnyan\u0131n bir anlam\u0131 oldu\u011funu \u00f6ne s\u00fcren sanattan ba\u015fka sanat yok mu sizce?<\/strong><\/p>\n

Tekrarl\u0131yorum, sanat bir yakarma, bir dua bi\u00e7imidir ve insan yaln\u0131zca duas\u0131yla ya\u015far.<\/p>\n

Bir\u00e7ok insan Andrei Roublev\u2019de bug\u00fcn\u00fcn Sovyetler Birli\u011fi\u2019ne Rusya\u2019n\u0131n ge\u00e7mi\u015fteki manev\u00ee yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131 yeniden bulabilmesi i\u00e7in g\u00f6nderilen mesajlar oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyor.<\/p>\n

Bu m\u00fcmk\u00fcn, ama benim problemim de\u011fil. Bug\u00fcn\u00fcn Rusya\u2019s\u0131na mesaj g\u00f6ndermiyorum. Zaten hi\u00e7bir Rusa hi\u00e7bir \u015fey s\u00f6ylemek istemiyorum art\u0131k. \u201cHalk\u0131ma demek isterim ki…\u201d, \u201cB\u00fct\u00fcn d\u00fcnyaya derim ki…\u201d t\u00fcr\u00fcnden erdemler art\u0131k beni ilgilendirmiyor. Ben bir peygamber de\u011filim. Allah\u2019\u0131n \u015fair olma imk\u00e2n\u0131n\u0131, bir katedraldeki inananlardan farkl\u0131 bir bi\u00e7imde yakarma imk\u00e2n\u0131n\u0131 verdi\u011fi bir insan\u0131m. Bundan ba\u015fka ne bir\u015fey s\u00f6yleyebilirim, ne de s\u00f6ylemek istiyorum.<\/p>\n

Solaris gezegeninde Kelvin otuz y\u0131l \u00f6nce \u00f6lm\u00fc\u015f kar\u0131s\u0131na kavu\u015fuyor. Bu, ger\u00e7ekle\u015fmesi imk\u00e2ns\u0131z bir olay arac\u0131l\u0131\u011f\u0131yla Tarkovski taraf\u0131ndan anlat\u0131lan tek a\u015fk hik\u00e2yesi mi?<\/p>\n

A\u015fk hik\u00e2yesi filmin yaln\u0131zca bir y\u00f6n\u00fc. Belki de Kelvin\u2019in Solaris\u2019te bir tek amac\u0131 var: ba\u015fkas\u0131na duyulan a\u015fk\u0131n ya\u015famak i\u00e7in vazge\u00e7ilmez oldu\u011funu g\u00f6stermek. A\u015fks\u0131z bir insan insan de\u011fildir.<\/p>\n

Bu evren, daha sonra Stalker b\u00f6lgesi bir \u00e7ile metaforu de\u011fil mi? Yani, yaln\u0131zca tek bir arzuya sahip oldu\u011fumuz bir yer: kendini de\u011fi\u015ftirmek.<\/p>\n

Hayat\u0131n, \u00e7ilesiz bile olsa, bu tan\u0131m\u0131 ortaya \u00e7\u0131kard\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum: de\u011fi\u015fmek. \u0130nsan hayat\u0131 yaln\u0131zca bu de\u011fi\u015fimi hedefliyor. \u00c7ile, bize daha \u00e7ok sakin olmak, ac\u0131lar\u0131m\u0131z\u0131 dindirmek i\u00e7in gerekli.<\/p>\n

Kimdir Stalker, bu gizemli karakter?<\/strong><\/p>\n

Film, manev\u00ee de\u011ferleri i\u00e7in bir \u015f\u00f6valye gibi sava\u015fan bir insan\u0131 anlat\u0131yor. Filmin kahraman\u0131 Stalker, edebiyat\u0131n \u201cidealist\u201d tipleri olarak bildi\u011fimiz Don Ki\u015fot ya da Prens Mi\u015fkin ile ayn\u0131 y\u00f6r\u00fcngeye oturur. Ve idealist olduklar\u0131 i\u00e7in ger\u00e7ek hayattaki t\u00fcm sava\u015flar\u0131 kaybederler.<\/p>\n

Hz. \u0130sa t\u00fcr\u00fcnden karakterlerden bahsedilebilir mi?<\/strong><\/p>\n

Benim i\u00e7in, zay\u0131f\u0131n g\u00fcc\u00fcn\u00fc dile getiren karakterler. Film, bu sayede, insan\u0131n kendi husule getirdi\u011fi g\u00fcce ba\u011f\u0131ml\u0131l\u0131\u011f\u0131n\u0131 da anlat\u0131yor. G\u00fc\u00e7 sonunda insan\u0131 yok ediyor ve acz tek g\u00fc\u00e7 olarak kal\u0131yor.<\/p>\n

Zay\u0131f\u0131n bu g\u00fcc\u00fcn\u00fc duymas\u0131 i\u00e7in insan\u0131n ne yapmas\u0131 gerekiyor?<\/strong><\/p>\n

\u00d6nemli olan bu de\u011fil. Bir inan\u00e7 adam\u0131n\u0131n eylemleri d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f ve ak\u0131ll\u0131ca olmak bir yana, son derece abs\u00fcrd gelebilir. \u201cG\u00fcl\u00fcn\u00e7\u201d, \u201cyersiz\u201d gibi g\u00f6z\u00fcken eylemler, maneviyat\u0131n y\u00fcksek bir \u015feklidir.<\/p>\n

Kar\u015f\u0131l\u0131ks\u0131z, nedensiz yap\u0131lan eylemler bir anlamda.<\/strong><\/p>\n

Evet, ama bununla beraber, bu eylemler nedensizlik ad\u0131na de\u011fil, kurulu haliyle varolan ve hi\u00e7bir \u015fekilde manev\u00ee insan\u0131 \u00fcretemeyecek bir d\u00fcnyay\u0131 a\u015fmak i\u00e7in ger\u00e7ekle\u015ftirilir. \u00d6nemli olan ve \u0130zs\u00fcr\u00fcc\u00fc\u2019n\u00fcn (Stalker) b\u00fct\u00fcn seyrini y\u00f6nelten, onu baya\u011f\u0131l\u0131\u011fa d\u00fc\u015f\u00fcrmeyen, \u00f6z maneviyat\u0131n\u0131 ortaya \u00e7\u0131karan, bu g\u00fc\u00e7t\u00fcr.<\/p>\n

Nostalghia neden s\u00f6z ediyor?<\/strong><\/p>\n

Ya\u015faman\u0131n imk\u00e2ns\u0131zl\u0131\u011f\u0131ndan, \u00f6zg\u00fcrl\u00fc\u011f\u00fcn olmad\u0131\u011f\u0131ndan. A\u015fka s\u0131n\u0131r koyarsak, insan \u015fekilsiz bir hale gelir; ayn\u0131 \u015fekilde, manev\u00ee hayata s\u0131n\u0131r koyarsak, insan b\u00fcy\u00fck bir sars\u0131nt\u0131 ge\u00e7irir. Nostalji b\u00fct\u00fcn bir duygudur. Kendi \u00fclkemizde, yak\u0131nlar\u0131m\u0131z\u0131n yan\u0131nda, mutlu bir aileye ra\u011fmen nostalji duyabiliriz. \u00c7\u00fcnk\u00fc, ruhumuzun k\u0131s\u0131tland\u0131\u011f\u0131n\u0131 hisseder, onu istedi\u011fimiz gibi geli\u015ftiremeyece\u011fimizi anlar\u0131z. Nostalji d\u00fcnya \u00f6n\u00fcndeki bu g\u00fc\u00e7s\u00fczl\u00fckt\u00fcr. Maneviyat\u0131n\u0131 ba\u015fkalar\u0131na iletememenin ac\u0131s\u0131d\u0131r. Nostalghia\u2019n\u0131n kahraman\u0131n\u0131 hasta d\u00fc\u015f\u00fcren illet, dost edinememenin, insanlarla ileti\u015fim kuramaman\u0131n ac\u0131s\u0131d\u0131r. Bu karakter, maneviyat\u0131n \u00f6zg\u00fcrce ya\u015fanabilmesi i\u00e7in s\u0131n\u0131rlar\u0131n kald\u0131r\u0131lmas\u0131 gerekti\u011fini s\u00f6yler. Daha genel olarak, modern hayata uyum sa\u011flayamam\u0131\u015f karakteri y\u00fcz\u00fcnden ac\u0131 \u00e7eker. D\u00fcnyan\u0131n sefaleti kar\u015f\u0131s\u0131nda mutlu olamaz. Bu toplumsal sefaleti \u00fczerine al\u0131r, ama ayn\u0131 zamanda d\u00fcnya ile aras\u0131na bir mesafe koyarak ya\u015famak ister. Onun sorunu tamamen merhametinden gelir. Bu merhamet duygusunun canl\u0131 \u00f6rne\u011fi olmay\u0131 ba\u015faramaz. Di\u011fer insanlarla birlikte ac\u0131 \u00e7ekmek ister, ama bunu da tam anlam\u0131yla ba\u015faramaz.<\/p>\n

Kahraman\u0131n\u0131za ac\u0131s\u0131n\u0131n \u00fcstesinden gelebilmesi i\u00e7in verebilece\u011finiz bir re\u00e7eteniz var m\u0131?<\/strong><\/p>\n

K\u00f6klerine, kaynaklar\u0131na inanmas\u0131 gerek. Nereden geldi\u011fini, nereye gitti\u011fini, ne i\u00e7in ya\u015fad\u0131\u011f\u0131n\u0131 bilmesi, yani s\u00fcrekli olarak Yarat\u0131c\u0131s\u0131na ba\u011f\u0131ml\u0131l\u0131\u011f\u0131n\u0131 hissetmesi gerekir. Aksi takdirde, e\u011fer Tanr\u0131 d\u00fc\u015f\u00fcncesi a\u015f\u0131l\u0131rsa, insan hayvana d\u00f6ner. \u0130nsan\u0131 hayvandan ay\u0131ran \u00f6zellik, ba\u011f\u0131ml\u0131l\u0131k duygusu, kendini ba\u011f\u0131ml\u0131 hissetme \u00f6zg\u00fcrl\u00fc\u011f\u00fcd\u00fcr. Bu duygu maneviyat yoludur. \u0130nsan\u0131n talihi, maneviyata giden bu yolu durmaks\u0131z\u0131n geli\u015ftirmesindedir. Ba\u011f\u0131ml\u0131l\u0131k insan\u0131n tek \u015fans\u0131d\u0131r. Zira Yaratandaki bu niyet, bir \u00fcst\u00fcn mahlukun (e\u015fref\u2013i mahlukat?) Yarat\u0131c\u0131s\u0131 olmaktan ba\u015fka bir\u015fey de\u011fildir. Bu inan\u00e7, d\u00fcnyay\u0131 kurtarabilme g\u00fcc\u00fcne sahiptir. Kul hayat\u0131n\u0131 ifa etmek gerekir. Bu ili\u015fki son derece basittir. Anne\u2013baba\u2013\u00e7ocuk ili\u015fkisine benzer. Bir ba\u015fkas\u0131n\u0131n otoritesini tan\u0131mak gerekir. Bu sayg\u0131, bu kulluk insana kendini tan\u0131ma, kendi i\u00e7ini g\u00f6rme g\u00fcc\u00fcn\u00fc verir. Bu, yakar\u0131\u015f diye adland\u0131rd\u0131\u011f\u0131m\u0131z, ama ayn\u0131 zamanda benim sinema eserimin de ald\u0131\u011f\u0131 bi\u00e7imdir. Bununla birlikte, kendimi hen\u00fcz bu yakarma idealini ger\u00e7ekle\u015ftirmekten uzakta say\u0131yorum.<\/p>\n

Allah\u2019a inanc\u0131n\u0131zla sanata inanc\u0131n\u0131z b\u00f6yle mi birle\u015fiyor?<\/strong><\/p>\n

Sanat Yarat\u0131c\u0131n\u0131n aynadaki cilvesidir. Biz sanat\u00e7\u0131lar bu jesti tekrarlamaktan, taklit etmekten ba\u015fka bir\u015fey yapm\u0131yoruz. Bu y\u00fczden, Yaratandan ba\u011f\u0131ms\u0131z bir sanata asla inanm\u0131yorum. Tanr\u0131s\u0131z bir sanata inanm\u0131yorum. Sanat\u0131n anlam\u0131 yakarmad\u0131r. Bu benim yakar\u0131\u015f\u0131m. E\u011fer bu dua, bu yakar\u0131\u015f, benim filmlerim insanlar\u0131 Allah\u2019a y\u00f6neltebilirse ne mutlu bana. Ya\u015fam\u0131m esas anlam\u0131n\u0131 bulacak. Hizmet etmek. Ama bunu asla ba\u015fkalar\u0131na empoze etmeye kalk\u0131\u015fmayaca\u011f\u0131m. Hizmet etmek, fethetmek demek de\u011fildir.<\/p>\n

Sanat\u0131n amac\u0131 nas\u0131l yaln\u0131zca hizmet etmek olabilir?<\/strong><\/p>\n

\u0130\u015fte s\u0131r burada. Yarat\u0131l\u0131\u015f\u0131n s\u0131rr\u0131 gibi. Bir ikonun \u00f6n\u00fcnde diz \u00e7\u00f6kt\u00fc\u011f\u00fcn\u00fcz zaman Tanr\u0131ya a\u015fk\u0131n\u0131z\u0131 s\u00f6ylemek i\u00e7in tam yerinde kelimeler bulursunuz, ama bu kelimeler gizli, s\u0131r olarak kal\u0131r. Ayn\u0131 \u015fekilde bir sanat\u00e7\u0131 \u00f6yk\u00fcs\u00fcn\u00fc, karakterlerini buldu\u011fu zaman dua\u2013eserini yapar ve tam yerinde s\u00f6zc\u00fckleri bulur. \u0130\u015fte sanat burada bir ihsan \u015feklini al\u0131r. Sanat yaln\u0131zca bir ihsan, bir hediye oldu\u011fu zaman hizmet edebilir.<\/p>\n

Filmleriniz b\u00f6ylece Allah\u2019a duydu\u011funuz sevginin eylemleri oluyor?<\/strong><\/p>\n

Buna ger\u00e7ekten inanmak isterim. Bunu yapmaya \u00e7al\u0131\u015ft\u0131m. Benim i\u00e7in ideal, bu \u201chediye\u201dyi s\u00fcrekli vermek olacak…<\/p>\n

\n

Nereden geldi\u011fini, nereye gitti\u011fini, ne i\u00e7in ya\u015fad\u0131\u011f\u0131n\u0131 bilmek, yani s\u00fcrekli olarak Yarat\u0131c\u0131ya ba\u011f\u0131ml\u0131l\u0131\u011f\u0131m\u0131z\u0131 hissetmek gerekir. Aksi takdirde, e\u011fer Tanr\u0131 d\u00fc\u015f\u00fcncesi a\u015f\u0131l\u0131rsa, insan hayvana d\u00f6ner.<\/span>
\n\u0130nsan\u0131 hayvandan ay\u0131ran \u00f6zellik, ba\u011f\u0131ml\u0131l\u0131k duygusu, kendini ba\u011f\u0131ml\u0131 hissetme \u00f6zg\u00fcrl\u00fc\u011f\u00fcd\u00fcr. Bu duygu maneviyat yoludur. \u0130nsan\u0131n talihi, maneviyata giden bu yolu durmaks\u0131z\u0131n geli\u015ftirmesindedir.<\/span><\/p>\n

Bir ba\u015fkas\u0131n\u0131n otoritesini tan\u0131mak gerekir; bu kulluk insana kendini tan\u0131ma, kendi i\u00e7ini g\u00f6rme g\u00fcc\u00fcn\u00fc verir. Bu, yakar\u0131\u015f diye adland\u0131rd\u0131\u011f\u0131m\u0131z, ayn\u0131 zamanda benim sinema eserimin de ald\u0131\u011f\u0131 bi\u00e7imdir.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Andrei Tarkovski ile s\u00f6yle\u015fi… TARKOVSK\u0130 \u0130SM\u0130YLE, ilk kez bir filmini izlerken tan\u0131\u015fm\u0131\u015ft\u0131k. Stalker, n\u00e2m\u2013\u0131 di\u011fer \u0130zs\u00fcr\u00fcc\u00fc filmiydi bu. Bir bilim adam\u0131, bir sanat\u00e7\u0131 ve de san\u0131r\u0131m bir gazeteci yahut asker, t\u00fcm dileklerin kabul olundu\u011fu, mutlulu\u011fa ula\u015f\u0131lan esrarl\u0131 bir beldenin varl\u0131\u011f\u0131n\u0131 \u00f6\u011frenmi\u015f; ve oraya ula\u015fmak \u00fczere yola d\u00fc\u015fm\u00fc\u015flerdi. Art\u0131k beldenin \u00e7ok yak\u0131n\u0131ndayd\u0131lar. Hatta, bilim adam\u0131, bir […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,7],"tags":[],"ppma_author":[130],"class_list":["post-90771","post","type-post","status-publish","format-standard","hentry","category-arsiv","category-soylesiler"],"yoast_head":"\n\u201cTanr\u0131s\u0131z sanata inanm\u0131yorum\u201d - Karakalem<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cTanr\u0131s\u0131z sanata inanm\u0131yorum\u201d - Karakalem\" \/>\n<meta property=\"og:description\" content=\"Andrei Tarkovski ile s\u00f6yle\u015fi… TARKOVSK\u0130 \u0130SM\u0130YLE, ilk kez bir filmini izlerken tan\u0131\u015fm\u0131\u015ft\u0131k. Stalker, n\u00e2m\u2013\u0131 di\u011fer \u0130zs\u00fcr\u00fcc\u00fc filmiydi bu. Bir bilim adam\u0131, bir sanat\u00e7\u0131 ve de san\u0131r\u0131m bir gazeteci yahut asker, t\u00fcm dileklerin kabul olundu\u011fu, mutlulu\u011fa ula\u015f\u0131lan esrarl\u0131 bir beldenin varl\u0131\u011f\u0131n\u0131 \u00f6\u011frenmi\u015f; ve oraya ula\u015fmak \u00fczere yola d\u00fc\u015fm\u00fc\u015flerdi. Art\u0131k beldenin \u00e7ok yak\u0131n\u0131ndayd\u0131lar. 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