10.05.2004<\/p>\n
KAND\u0130L AYDINLIKTIR, \u00c7\u0130\u00c7EKT\u0130R, G\u00dcZELCEGECED\u0130R, avizedir, civanper\u00e7emidir. Uza\u011f\u0131m\u0131zda ve yak\u0131n\u0131m\u0131zdad\u0131r; fakat daima \u00f6ndedir. G\u00f6nl\u00fcm\u00fcz\u00fcn elinden tutar, havaland\u0131r\u0131r bizi. \u00c7ilemizi \u00e7eker. \u2018Himmette toprak gibi\u2019dir, sevgide \u2018su gibi aziz.\u2019 \u00c7i\u00e7ekle de \u2018tarif\u2019 edilirler. Ve tarihin her d\u00f6neminde \u2018kandillere katran\u2019 d\u00f6kmek isteyenler, daima olmu\u015ftur.<\/p>\n
<\/p>\n
Kandil s\u00f6z\u00fcn\u00fcn ge\u00e7ti\u011fi her c\u00fcmle bana Arif Ay\u2019\u0131n \u201cDokuz Kandil\u201dini \u00e7a\u011fr\u0131\u015ft\u0131r\u0131r. Bu kitab\u0131n sars\u0131c\u0131 etkisiyle, g\u00f6z\u00fcm\u00fc tekrar a\u015fka ve \u0131\u015f\u0131\u011fa dikerim. Bu kandillerden \u00e7ok \u00f6nce \u201c\u015eiirin Kandilleri\u201dni yakan Arif Ay, g\u00fcne\u015ften ald\u0131klar\u0131n\u0131 kandillerde okumaya ba\u015flam\u0131\u015ft\u0131r zaten. Onun Dokuz Kandil\u2019de Necip Faz\u0131l i\u00e7in s\u00f6yledi\u011fi \u201cY\u00fcz\u00fcndeki her \u00e7izgi, bin y\u0131ll\u0131k tarihten birer yaprak\u201d s\u00f6z\u00fc, Arif Ay\u2019\u0131n \u015fiirindeki her \u00e7izgiye de tekab\u00fcl etmektedir. Bin y\u0131l\u0131n m\u00fczi\u011fi, \u015fiiri, hatt\u0131, rahlesi, inceli\u011fi, velhas\u0131l t\u00fcm g\u00fczeleylemleri, ayr\u0131ca bunlar\u0131n kar\u015f\u0131s\u0131nda \u015faklayan kal\u0131n kam\u00e7\u0131lar\u0131, prangalar\u0131, i\u015fgal ve talanlar\u0131, Ay \u015fiirlerinin en g\u00fc\u00e7l\u00fc damar\u0131d\u0131r. A\u015fklar\u0131 da demeliydim. \u2018Bir \u00f6mre bin y\u0131l\u0131 s\u0131\u011fd\u0131ran deha\u2019lar\u0131n, \u2018sahte kahramanlar ve filan\u2019\u0131n maskelerini d\u00fc\u015f\u00fcrenlerin, \u2018at\u0131n\u0131 u\u00e7urumlara s\u00fcren \u00e7ocuk\u2019lar\u0131n, y\u00fcz\u00fc hep \u2018eski bir \u0130stanbul\u2019 anlatanlar\u0131n, \u2018yery\u00fcz\u00fcnde en \u00e7ok ezan\u0131 ve ku\u015flar\u0131\u2019 dinleyenlerin, \u2018g\u00fcle d\u00fc\u015fen ya\u011fmur gibi \u00f6l\u00fcm\u2019lerin, bulan\u0131p durulan ve \u2018sonsuzluk denizi\u2019ne kavu\u015fanlar\u0131n. \u2018Mevl\u00e2n\u00e2\u2019n\u0131n en \u00f6fkelisi, \u00e7a\u011f\u0131n \u015fahdamar\u0131\u2019 olanlar\u0131n, \u2018her ak\u015fam\u0131 iftar gibi a\u00e7an, orucu g\u00fcl gibi tutan\u2019lar\u0131n destan\u0131n\u0131 yazm\u0131\u015ft\u0131r Arif Ay.<\/p>\n
<\/p>\n
Arif Ay\u2019\u0131n \u201cBin Y\u0131l\u201d tutkusu, ilk \u015fiir kitab\u0131 H\u0131ra\u2019da (1978) ba\u015flam\u0131\u015ft\u0131r. H\u0131ra\u2019da \u2018biny\u0131l ge\u00e7mi\u015f gibi deniz kurumu\u015f gibi\u2019 diyen \u015fair, son \u015fiir kitab\u0131 Ate\u015f ve Caz\u2019\u0131 (a yay\u0131nevi, Ekim 2000) \u2018esamisi okunmaz olduk\u2019 dizesiyle bitirir. \u015eairin on birinci \u015fiir kitab\u0131 olan Ate\u015f ve Caz\u2019da, Arif Ay \u015fiirinin izleklerinin s\u00fcrd\u00fc\u011f\u00fcn\u00fc g\u00f6rmek m\u00fcmk\u00fcn. D\u00f6rt b\u00f6l\u00fcmden olu\u015fuyor kitap: \u201cDa\u011f \u015eiirleri,\u201d \u201cS\u00fbz-i Dil\u00e2r\u00e2 Fasl\u0131ndan,\u201d \u201cT\u0131rman\u0131\u015f \u015eiirleri\u201d ve \u201cEncam.\u201d Arif Ay \u015fiirinde daima duyumsad\u0131\u011f\u0131m\u0131z a\u015fk, m\u00fccadele ve direni\u015f, metafizik \u00fcrperi\u015f, bu kitapta hep birlikte kar\u015f\u0131m\u0131zdad\u0131r; \u00e7ekirdek ve \u00e7i\u00e7ek halinde.<\/p>\n
<\/p>\n
Birinci b\u00f6l\u00fcm, \u201cDa\u011f \u015eiirleri.\u201d Yaz g\u00fcz, kar k\u0131\u015f demeden da\u011flar\u0131 \u00f6zleyen, da\u011flar\u0131 arayan, da\u011flar\u0131n muhkem havas\u0131n\u0131 anan Ay, burada bizi elimizden tutup gezdirirken, kol kanat gererken yaln\u0131zl\u0131\u011f\u0131m\u0131za, \u201cda\u011f\u0131n yamac\u0131ndan akan dere\/ k\u0131nal\u0131 keklik \u00f6t\u00fc\u015f\u00fc\/ ku\u015f b\u00f6cek, r\u00fczg\u00e2r ve su\u201d aras\u0131nda \u00e7\u00f6z\u00fclm\u00fc\u015fl\u00fc\u011f\u00fcm\u00fcze vurgu yapar yine: \u201cEllerim nil, kalbim tuna\u2019n\u0131n terli at\u0131\/ g\u00f6zlerim daim a\u011flar f\u0131rat\u2019\u0131.\u201d<\/p>\n
<\/p>\n
K\u00e2inattaki cel\u00e2l-cemal dengesini Arif Ay \u015fiirlerinde hep yakalad\u0131\u011f\u0131m\u0131 hissetmi\u015fimdir. Da\u011f \u015eiirleri\u2019nde yolculu\u011fa \u00e7\u0131kt\u0131\u011f\u0131mda da k\u00e2h y\u00fcrek s\u0131zlatan, k\u00e2h co\u015fturan, k\u00e2h g\u00f6zleri suland\u0131ran, bazen de direni\u015f g\u00fcc\u00fcn\u00fc kam\u00e7\u0131layan dizeler ortas\u0131nda heyecanlan\u0131yoruz. Ali G\u00f6\u00e7er, Arif Ay\u2019\u0131n \u015fiir kaynaklar\u0131ndan s\u00f6z ederken \u2018Yunus\u2019 ve \u2018Karacao\u011flan\u2019\u0131 anar yap\u0131ta\u015flar\u0131 olarak. Ekler: \u201cKu\u015fkusuz, Yunus da, Karacao\u011flan da iki ayr\u0131 ekol\u00fc temsil eden birer duyarl\u0131k olarak vard\u0131r Arif Ay i\u00e7in. Yoksa bire bir bu iki kaynaktan beslenmi\u015ftir demek yanl\u0131\u015f olur.\u201d<\/p>\n
<\/p>\n
Bir zamanlar\u0131n karde\u015f nehirleri olarak Nil, Tuna ve F\u0131rat aras\u0131na \u015fimdi bir hasret d\u00fc\u015fm\u00fc\u015ft\u00fcr. Yine karde\u015ftir onlar; ancak birbirlerine sar\u0131lmay\u0131 \u00f6ylesine \u00f6zlemi\u015flerdir ki… Bin y\u0131ll\u0131k bir da\u011f\u0131n zirvelerine ula\u015fmak isterler, yukar\u0131 akmak isterler. Uzun s\u00fcrm\u00fc\u015f bir tarihin \u2018kartal kanatl\u0131 sabahlar\u2019\u0131na hasretlenirler. Y\u0131k\u0131lm\u0131\u015f \u015fehirler, mermilenmi\u015f \u00e7ocuklar, talan edilmi\u015f uygarl\u0131klar, nehirlerin belle\u011finde has kervanlar\u0131n t\u00fcrk\u00fcs\u00fcn\u00fc s\u00f6yler \u015fimdi. Sanki nehirler akt\u0131k\u00e7a di\u011ferg\u00e2ml\u0131k da gitmektedir. Bu gidi\u015fe raz\u0131 de\u011fildir Arif Ay. \u201cKah\u0131r\u201d \u015fiirinde \u201cBir ya\u011fmurdun\/ \u00d6perdim yoksullu\u011fundan\u201d der.<\/p>\n
<\/p>\n
\u0130ster \u015fiirlerine, ister \u201cGece Yaz\u0131lar\u0131\u201dndaki denemelerine, isterse \u201cSaat Yirmi D\u00f6rt\u2019te Saksafon Dersi\u201dndeki \u00f6yk\u00fclere bak\u0131n\u0131z, g\u00f6rd\u00fc\u011f\u00fcn\u00fcz \u015fey, yoksulun, mazlumun yan\u0131nda yer alan bir g\u00f6nl\u00fcn kanay\u0131\u015flar\u0131d\u0131r. Di\u011fer taraftan, k\u00e2inattaki sonsuz g\u00fczelli\u011fin izlerini ve gizli dillerini de g\u00f6rmezlikten gelmez \u015fair: \u201cak\u015fama d\u00f6nd\u00fc g\u00fcn\/ zikrine dald\u0131 orman\/ simli bir kuma\u015f gibi y\u0131ld\u0131zlar.\u201d K\u00f6t\u00fcr\u00fcm kentlerden uzakla\u015fm\u0131\u015f, zulme u\u011framayan da\u011fa \u00e7\u0131km\u0131\u015f, g\u00f6nl\u00fcndeki ate\u015fi yenilemi\u015ftir \u015fair. Bir mazlum \u00f6yk\u00fcs\u00fc gibi ortaya \u00e7\u0131kan caz imgesine de yer verilir \u201cDa\u011f Saati\u201dnde. Bu b\u00f6l\u00fcmdeki \u201cG\u00fcz\u201d \u015fiiri \u00f6ne \u00e7\u0131k\u0131yor. Kirli zamanlardan akan bir da\u011f suyu, toz duman i\u00e7inde bir ak\u015fama d\u00f6k\u00fcl\u00fcr. \u00d6m\u00fcr ise heyhat ki yenilenmez: \u201cne m\u00fcmk\u00fcn tekrar\u0131 \u00f6mr\u00fcn\/ yorgun bir ak\u015famdan\/ seslenir de Ha\u015fim\/ da\u011f\u0131ld\u0131 a\u015fk defteri\/ bitti g\u00f6zya\u015f\u0131, soldu m\u00fcrekkep.\u201d<\/p>\n
<\/p>\n
Kitab\u0131n ikinci b\u00f6l\u00fcm\u00fc ise, \u201cS\u00fbz-i Dil\u00e2r\u00e2 Fasl\u0131ndan.\u201d Bu b\u00f6l\u00fcm\u00fcn ilk \u015fiiri III. Selim. Bilindi\u011fi gibi, III. Selim (1761-1808), Osmanl\u0131 sultanlar\u0131ndan biridir ve Sultan III. Mustafa\u2019n\u0131n o\u011fludur. Dr. Hasan Akta\u015f, \u201c\u00c7a\u011fda\u015f T\u00fcrk \u015eiirinde S\u00fbz-i Dil\u00e2r\u00e2 ve III. Selim\u201d konulu \u00e7al\u0131\u015fmas\u0131nda, \u00c2saf H\u00e2let \u00c7elebi, Erc\u00fcment Behzat L\u00e2v, \u0130lhan Berk, Can Y\u00fccel, Mehmet \u00c7\u0131narl\u0131, Tal\u00e2t Sait Halman, Murathan Mungan, Sefa Kaplan, Necat \u00c7avu\u015f, Mahmut Kaplan, Mustafa Miyaso\u011flu ve A. \u0130hsan Kolcu\u2019nun III. Selim\u2019e ve S\u00fbz-i Dil\u00e2r\u00e2\u2019ya ili\u015fkin \u015fiirlerini ele al\u0131p incelemi\u015ftir.<\/p>\n
<\/p>\n
T\u00fcrk m\u00fczi\u011finde S\u00fbz-i Dil\u00e2r\u00e2 bestesini icat eden, sanat\u00e7\u0131lara sahip \u00e7\u0131kan III. Selim, ayn\u0131 zamanda \u015fairdir ve \u0130lham\u00ee mahlas\u0131yla \u015fiirler yazm\u0131\u015ft\u0131r. Onun \u00f6ld\u00fcr\u00fclmesi, pek \u00e7ok \u015fiire konu olmu\u015ftur. Arif Ay da Sultan III. Selim\u2019i anar ve divan diliyle der ki: \u201cesti r\u00fczg\u00e2r-\u0131 rast-\u0131 Cedid\/ y\u0131k\u0131ld\u0131 sayende nizam-\u0131 cedid.\u201d <\/p>\n
<\/p>\n
III. Selim \u015fiiri, asl\u0131nda di\u011fer \u015fiirlere yumu\u015fak bir ge\u00e7i\u015f say\u0131l\u0131r. Bu b\u00f6l\u00fcm\u00fcn di\u011fer \u00fc\u00e7 \u015fiiri \u201cBosna Ah Bosna,\u201d \u201cBu D\u00fcnya Kosovas\u0131z\u201d ve \u201cVaynakh\u201dt\u0131r. Bu \u015fiirlerin damar\u0131 Dosyalar\u2019a, hatta H\u0131ra\u2019ya uzan\u0131r. Ac\u0131n\u0131n, zulm\u00fcn feryad\u0131d\u0131r bunlar. Sabah gergin bir iptir. Kopar ve y\u0131k\u0131l\u0131r hayat. Yaln\u0131zca Bosna de\u011fildir \u201cBosna Ah Bosna\u201d \u015fiirinde anlat\u0131lan. Filistin\u2019den de s\u00f6z edilir. \u201cey yirminci y\u00fczy\u0131l\u0131n End\u00fcl\u00fcs\u2019\u00fc\u201d diye an\u0131l\u0131r Bosna. <\/p>\n
<\/p>\n
Arif Ay, zulm\u00fc sorgulamakla kalmaz, herkesi bir vicdan sorgulamas\u0131na da \u00e7a\u011f\u0131r\u0131r. Fakat yalvarmaz insanlara. Onurlu bir \u00e7a\u011fr\u0131d\u0131r onunkisi: \u201cbosna\/ ey atalar ve \u015fehitler yurdu\/ y\u0131k\u0131k camilerinde g\u00fcvercinler gibi\/ \u0131p\u0131ss\u0131z kalplerimizle\/ korkuluklar\u0131 and\u0131ran g\u00f6vdelerimizle\/ Kur\u2019an sayfalar\u0131 gibi insanlar\u0131n\/ savrulup dururken\/ uykulara dal\u0131yoruz biz.\u201d<\/p>\n
<\/p>\n
\u201cBu D\u00fcnya Kosovas\u0131z\u201d \u015fiiri de kitab\u0131n i\u00e7li \u015fiirlerindendir. Bosna halk\u0131n\u0131n ac\u0131lar\u0131n\u0131 \u201ck\u0131zlar\u0131m\u0131z, anam\u0131z, kundakta bebe\u011fimiz, insanl\u0131\u011f\u0131m\u0131z, onurumuz\u201d diye payla\u015f\u0131r \u015fair. Oradan da \u00c7e\u00e7enistan\u2019\u0131n \u201ckan f\u0131rt\u0131nas\u0131nda savrulan\/ k\u0131rm\u0131z\u0131, mor g\u00fcl yapraklar\u0131\u201dn\u0131 \u00f6pen \u201cVaynakh\u201da. \u201cGrozni\u2019de ku\u015f u\u00e7ar m\u0131\/ kanad\u0131nda \u015fiir olsam\/ \u00e7ocuklar oynar m\u0131 sokaklar\u0131nda\/ sa\u00e7lar\u0131n\u0131 ok\u015fasam\/ g\u00f6\u011fe a\u00e7\u0131lm\u0131\u015f anne elleri\/ yan\u0131p k\u00fcl olmu\u015f evleri.\u201d Arif Ay \u015fiirinde s\u0131k s\u0131k rastlan\u0131lan \u00e7ocuk ve anne burada da kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Ali Kara\u00e7al\u0131\u2019n\u0131n bu konuyla ilgili bir sorusuna, \u201c\u015eiirimde anne ve \u00e7ocuk, bir gelecek imgesidir. Yani umudun imgesi…\u201d diye cevap verir Ay.<\/p>\n
<\/p>\n
\u201cS\u00fbz-i Dil\u00e2r\u00e2 Fasl\u0131ndan\u201d b\u00f6l\u00fcm\u00fc, bize \u2018ac\u0131y\u0131 kilim gibi dokuyan\u2019 Dosyalar\u2019\u0131 hat\u0131rlat\u0131r. Arif Ay \u015fiirinin kalesi diyebilece\u011fimiz Dosyalar, yak\u0131n tarihteki ac\u0131lar\u0131n, \u2018ceylan\u0131 vurulmu\u015f da\u011f\u2019lar\u0131n, \u2018\u00f6l\u00fcmden \u00e7ok zul\u00fcm\u2019 g\u00f6renlerin arabesk s\u00f6yleme d\u00fc\u015f\u00fclmeden ar\u015fivlendi\u011fi yerdir. Bir tarihin talan\u0131, bir uygarl\u0131\u011f\u0131n katli… H\u00fcseyin Su\u2019nun deyi\u015fiyle, \u201cyanl\u0131\u015fa ayarl\u0131 bir y\u00fczy\u0131l\u0131n, bir uygarl\u0131k de\u011fi\u015fiminin, bir halk\u0131n eleni\u015finin; ac\u0131n\u0131n \u00f6zg\u00fcn sesi.\u201d I\u015f\u0131klar s\u00f6ner bir bir. A\u011fa\u00e7, insan, da\u011f ve ta\u015f, su\u00e7a ortak olur. K\u0131y\u0131m, zulm\u00fcn ilk hecesidir, a\u011fa\u00e7lar\u0131n en zor bilmecesidir. \u201cYa\u011fmur bir g\u00f6\u00e7t\u00fcr\/ kollara kelep\u00e7e vurulunca.\u201d Gidenlerin ard\u0131ndan evde \u2018a\u011f\u0131t\/figan\u2019 kal\u0131r. Bir kalem, su\u00e7suzlu\u011fun savunusunu yazarken duvarda k\u00fcfl\u00fc bir l\u00e2mba sanki a\u011flamaktad\u0131r ve bir zaman \u2018uykudan murat h\u00e2s\u0131l olur,\u2019 g\u00f6r\u00fclmesi gereken g\u00f6r\u00fcl\u00fcr.<\/p>\n
<\/p>\n
Edebiyat\u0131m\u0131zdaki en g\u00fczel Bedi\u00fczzaman \u015fiirini de Dosyalar\u2019da buluruz. Bedi\u00fczzaman\u2019\u0131 b\u00f6ylesine i\u00e7ten anlatan \u2018saf \u015fiir\u2019 okumad\u0131\u011f\u0131m\u0131 s\u00f6yleyebilirim. \u201cku\u015flar savrulur, g\u00f6k bah\u00e7elenir\/ bir ezgi mi, h\u00fcz\u00fcnden\/ dura dura s\u00f6ylenir\u201d diye ba\u015flayan bu \u015fiir, ruhumuzu tutup \u015f\u00f6yle bir sarsar:<\/p>\n
<\/p>\n
\u201ci\u015fte, g\u00fcl\u00fcn d\u00fc\u015f g\u00f6rd\u00fc\u011f\u00fc an\/ ay bedir ve tan: kor bir demir\/ ki d\u00fc\u015ft\u00fc\u011f\u00fc \u00f6rs; hizan\/ nurs k\u00f6y\u00fcnde bir \u00e7ocuk\/ b\u00fcy\u00fcr ve bilenir\/ ku\u015flar savrulur, g\u00f6k bah\u00e7elenir\/ bir ezgi mi h\u00fcz\u00fcnden\/ dura dura s\u00f6ylenir\/ sevdan\u0131n fetretinden\/ ferhad da\u011f\u0131 kazmada\/ o da\u011f ki, yar\u0131l\u0131r tillo\u2019da\/ deniz d\u00fcr\u00fcl\u00fcr d\u00fc\u015f\u00fcnde\/ bir k\u0131yamet imgesidir\/ gider gelir bo\u015flukta\/ elinde \u201cF\u00fct\u00fbh\u00fc\u2019l-Gayb\u201d\/ d\u00f6n\u00fcp d\u00f6n\u00fcp okumakta\/ bir \u0131rmak ki derinlerde akmada\/ sevdan\u0131n fetretinden\/ ferhad da\u011f\u0131 kazmada\/ sen, s\u00fcrg\u00fcnlerin uzman\u0131\/ mardin\u2019de s\u00fcrg\u00fcn yolunda\/ ne m\u00fcthi\u015f bir vecd \u00e2n\u0131\/ o namaz ki\/ kelep\u00e7eleri k\u0131rmada.\u201d<\/p>\n
<\/p>\n
Bedi\u00fczzaman \u015fiirinde \u201cgece bir g\u00f6ld\u00fcr burda\/ da\u011flardan bak\u0131l\u0131nca\u201d gibi \u00f6zg\u00fcn s\u00f6yleyi\u015flere de rastlar\u0131z. Uzay\u0131p gider Dosyalar. Yi\u011fit\u00e7e \u00f6lenlerin, y\u00fcre\u011finde yara olanlar\u0131n, bir f\u0131rt\u0131nadan bir f\u0131rt\u0131naya tutulmu\u015f g\u00fcnlerin, gidip de d\u00f6nmeyenlerin, en \u00e7ok ac\u0131y\u0131 konuk eden evlerin sars\u0131c\u0131 ser\u00fcveni vard\u0131r bu \u015fiirlerde.<\/p>\n
<\/p>\n
\u0130nsan d\u00f6n\u00fcp de bak\u0131yor maziye: Ne kalm\u0131\u015ft\u0131r \u00f6zg\u00fcrl\u00fck d\u00fc\u015fmanlar\u0131ndan geriye? \u0130nsanl\u0131k su\u00e7u i\u015fleyenler, \u00e7ocuklar\u0131 ve masumlar\u0131 \u00f6ld\u00fcrenler, ilham\u0131n\u0131 maddeden al\u0131p kendi ebed\u00ee hayatlar\u0131n\u0131 s\u00f6nd\u00fcrenler, K\u00e2run gibi mal biriktirip yoksulun ve yetimin hakk\u0131n\u0131 yiyenler, ne g\u00f6t\u00fcrd\u00fcler saltanatlar\u0131ndan, tahtlar\u0131ndan \u00f6l\u00fcm\u00fcn \u00f6tesine? Arif Ay\u2019\u0131n deyi\u015fiyle \u2018durmadan s\u00fcrd\u00fcr\u00fclen talan\u2019 kimin yan\u0131na k\u00e2r kalm\u0131\u015ft\u0131r ve kimin yan\u0131na k\u00e2r kalacakt\u0131r? Hangi zorba payidar olmu\u015ftur ve sald\u0131rganl\u0131\u011f\u0131yla Yarat\u0131c\u0131ya zarar verebilmi\u015ftir?<\/p>\n
<\/p>\n
Bu b\u00f6l\u00fcmdeki \u015fiirlere ke\u015fke Ay\u2019\u0131n son \u015fiirlerinden biri olan \u201cFigan Figan Afganistan\u201d da eklenseydi.<\/p>\n
<\/p>\n
Ate\u015f ve Caz\u2019\u0131n \u00fc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm\u00fc \u201cT\u0131rman\u0131\u015f \u015eiirleri\u201dnden olu\u015fuyor. Arif Ay\u2019da a\u015fk, metafizik bir kimli\u011fe b\u00fcr\u00fcnerek kar\u015f\u0131m\u0131za \u00e7\u0131kar \u00e7o\u011fu zaman. Salt a\u015fktan s\u00f6z etmez \u015fair burada. \u201cSultanahmet, Ayasofya, Musa, \u0130lyas, yaras\u0131n\u0131 \u015fehadetle saran Kafkas Kartal\u0131, \u0130brahim, Nuh\u201d a\u015fklar\u0131n aras\u0131ndan bir r\u00fczg\u00e2r gibi eser. A\u015fk denen yaprak g\u00fczel d\u00fc\u015fer ve g\u00fczel d\u00fc\u015ft\u00fcr. Da\u011flardan, ac\u0131lardan savrulur. Her ah, derin bir yaradan gelir. \u015eair, tatile girmi\u015f okullar gibidir. O, daima a\u015fklar eker, ac\u0131lar bi\u00e7er. Her yan da\u011fda\u011fad\u0131r ve sesini yakmaktad\u0131r \u015fair. \u201cg\u00fcz s\u00f6yleyedursun t\u00fcrk\u00fcs\u00fcn\u00fc r\u00fczg\u00e2rla\/ \u00e7\u00f6z\u00fcl\u00fcr d\u00fc\u011f\u00fcm d\u00fc\u011f\u00fcm dil\/ da\u011fdan da\u011fa savrulan\/ g\u00f6zya\u015f\u0131 kokulu mendil.\u201d Sevgili, onun i\u00e7inde dinmeyen ya\u011fmurdur. \u015eair uzaklarda bir \u0131\u015f\u0131k g\u00f6rse, hasreti bir da\u011f gibi gezdirir. Yollara d\u00fc\u015fer, bir ya\u011fmur da kendisi olur.<\/p>\n
<\/p>\n
\u201cT\u0131rman\u0131\u015f \u015eiirleri,\u201d bizi Arif Ay \u015fiirinde \u00e7ok \u00f6zel bir makam\u0131 olan \u015eiirin Kandilleri\u2019ne ta\u015f\u0131r. \u015eiirin Kandilleri, T\u00fcrk \u015fiirinde atlanamayacak bir yere sahiptir. Tad\u0131, h\u00e2l\u00e2 dama\u011f\u0131m\u0131zdad\u0131r. Orada \u201csoluk solu\u011fa bir tren ge\u00e7er\/ b\u0131rak\u0131r gider ak\u015fam\u0131.\u201d<\/p>\n
<\/p>\n
Kitab\u0131n son b\u00f6l\u00fcm\u00fc \u201cEncam,\u201d \u00e7a\u011f\u0131m\u0131z insan\u0131n\u0131 bir i\u00e7 hesapla\u015fmaya \u00e7a\u011f\u0131r\u0131r. \u2018Menfur bir hayat\u2019tan b\u0131kan \u015fair, \u2018mat olman\u0131n hazz\u0131ndaki\u2019 insan\u0131 \u2018tehirli bir hayat\u2019tan al\u0131koymaya \u00e7al\u0131\u015f\u0131r. Putlar \u00fczerine yemin etmez Ay; putu olmayacak kadar da zengindir. Bu b\u00f6l\u00fcm\u00fcn en g\u00fczel dizesi ise, \u201cmente\u015fesi pasl\u0131 kap\u0131lar gibi g\u0131c\u0131rdayan halk.\u201d Bu karanl\u0131kta Nuri Pakdil\u2019in \u201c\u0130nsan, seni savunuyorum sana kar\u015f\u0131!\u201d ilkesinden yola \u00e7\u0131kan ve kitab\u0131n son \u015fiiri olan \u201cD\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc Bilirsen Kalkars\u0131n\u201dda, kendini ihbar eden, Neron\u2019lara alk\u0131\u015f tutan, Hallac\u2019\u0131 ta\u015flayan, hazin hazlara dal\u0131p \u015fimdi de esamisi okunmayan topluluklar\u0131n g\u00f6n\u00fcllerinde bir kandil yakmaya \u00e7al\u0131\u015f\u0131r \u015fair. \u201cEy halk\u0131m\u201d diye seslenir: \u201c\u0130brahim\u2019in koydu\u011fu ta\u015fa y\u00fcz s\u00fcrd\u00fcn de\/ Ate\u015fini hi\u00e7 duymad\u0131n\u201d der. Bir ate\u015fe \u00e7a\u011f\u0131r\u0131r bizi, bir sevgi ate\u015fine.<\/p>\n
<\/p>\n
S\u0131k\u0131nt\u0131y\u0131, zulm\u00fc, \u00fcz\u00fcnt\u00fcy\u00fc \u00e7ok iyi tan\u0131yan \u015fair, sloganc\u0131 de\u011fildir. Sanat\u0131n en ince dili olan \u015fiir diliyle, en ince olan duygu olan sevgiyi\u2014belki de her \u015fiirinde\u2014nak\u0131\u015f nak\u0131\u015f i\u015flemi\u015ftir. O, ceylan\u0131 vurulmu\u015f bir da\u011fd\u0131r. \u015eimdi, \u2018ifrit sand\u0131\u011f\u0131 bu \u00e7a\u011f\u2019da yalpalamaktad\u0131r. Bilmektedir ki, ger\u00e7ek \u00f6zg\u00fcrl\u00fck, ba\u015fkas\u0131na tahakk\u00fcm etmemek ve tahakk\u00fcme boyun e\u011fmemekte sakl\u0131d\u0131r. Bu mavi \u00f6zg\u00fcrl\u00fc\u011f\u00fcn pe\u015fine d\u00fc\u015fen \u015fair, yaln\u0131z bu topraklarla s\u0131n\u0131rland\u0131rmaz \u015fiirini. Yery\u00fcz\u00fcndeki t\u00fcm g\u00fczellikleri ke\u015ffetmeye \u00e7\u0131kar bug\u00fcnde ve tarihte; zulm\u00fc ho\u015f g\u00f6rmez, alk\u0131\u015flamaz, zalime bile insan oldu\u011funu hat\u0131rlatmaya \u00e7al\u0131\u015f\u0131r. B\u00fcy\u00fck bir insan olan k\u00e2inat\u0131 karde\u015f bilir. Nasihat isteyene \u00f6l\u00fcm\u00fc, d\u00fc\u015fman isteyene nefsi, mal isteyene kanaati g\u00f6sterir. Bir ate\u015f daha yakm\u0131\u015ft\u0131r i\u00e7imizde Ate\u015f ve Caz\u2019la; \u0131s\u0131tmak i\u00e7in \u00fc\u015f\u00fcyen ellerimizi. \u0130nsan s\u0131cakl\u0131\u011f\u0131n\u0131 hat\u0131rlatm\u0131\u015ft\u0131r, g\u00fclery\u00fcz\u00fcn\u00fc g\u00f6stermi\u015ftir kahr\u0131n arka bah\u00e7esinin.<\/p>\n
<\/p>\n
Arif Ay, \u201cD\u00fcnyay\u0131 kesben de\u011fil, kalben terk etmek l\u00e2z\u0131md\u0131r\u201d ilkesini l\u00e2f\u0131 e\u011fip b\u00fckmeden, bizi k\u0131r\u0131p d\u00f6kmeden zarif ve nahif bir bi\u00e7emle terenn\u00fcm ediyor. \u00dc\u015f\u00fcd\u00fc\u011f\u00fcm\u00fcz\u00fc biliyor, horland\u0131\u011f\u0131m\u0131z\u0131n fark\u0131na var\u0131yor; \u00f6zg\u00fcrl\u00fck d\u00fc\u015fmanlar\u0131na da zulm\u00fcn sonsuz olmad\u0131\u011f\u0131n\u0131 hat\u0131rlat\u0131yor. \u00d6l\u00fcm\u00fcn herkesi e\u015fit k\u0131ld\u0131\u011f\u0131 g\u00fcn, geriye d\u00f6n\u00fcp bakt\u0131\u011f\u0131m\u0131zda neleri g\u00f6rece\u011fimizi soruyor. \u015eeyh Galib\u2019den ald\u0131\u011f\u0131 ate\u015fle, g\u00fcl\u00fc, g\u00fclb\u00fcn\u00fc, g\u00fcl\u015feni ve c\u00fbybar\u0131 ate\u015fliyor. Ellerimizi tutu\u015fturuyor. Suad Alkan\u2019\u0131n \u201cAy do\u011fuyor peygamberlerden\u201d dizesini h\u00fclyalar\u0131m\u0131zla bir mu\u015ftu gibi bulu\u015fturuyor ruhumuzun derinliklerinde.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
10.05.2004 KAND\u0130L AYDINLIKTIR, \u00c7\u0130\u00c7EKT\u0130R, G\u00dcZELCEGECED\u0130R, avizedir, civanper\u00e7emidir. Uza\u011f\u0131m\u0131zda ve yak\u0131n\u0131m\u0131zdad\u0131r; fakat daima \u00f6ndedir. G\u00f6nl\u00fcm\u00fcz\u00fcn elinden tutar, havaland\u0131r\u0131r bizi. \u00c7ilemizi \u00e7eker. \u2018Himmette toprak gibi\u2019dir, sevgide \u2018su gibi aziz.\u2019 \u00c7i\u00e7ekle de \u2018tarif\u2019 edilirler. Ve tarihin her d\u00f6neminde \u2018kandillere katran\u2019 d\u00f6kmek isteyenler, daima olmu\u015ftur. Kandil s\u00f6z\u00fcn\u00fcn ge\u00e7ti\u011fi her c\u00fcmle bana Arif Ay\u2019\u0131n \u201cDokuz Kandil\u201dini \u00e7a\u011fr\u0131\u015ft\u0131r\u0131r. Bu kitab\u0131n sars\u0131c\u0131 […]<\/p>\n","protected":false},"author":37,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"ppma_author":[202],"class_list":["post-89966","post","type-post","status-publish","format-standard","hentry","category-yazarlar"],"yoast_head":"\n