04.02.2006<\/p>\n
ADINA \u2018K\u00dcRESELLE\u015eME\u2019 denen \u00f6n\u00fcne ge\u00e7ilemez dalga, h\u0131r\u00e7\u0131n ve haylaz k\u00fcreselle\u015fme! Melek misin, yoksa \u015feytan m\u0131? Seninle birlikte zihnime \u00fc\u015f\u00fc\u015fen olumluluklardan, yukar\u0131da anlatmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m \u00e7ok \u00f6nemli geli\u015fmelerden kolay kolay vazge\u00e7mem s\u00f6zkonusu de\u011fil. Ancak korkular\u0131m\u0131, \u015f\u00fcphelerimi yazmadan da edemeyece\u011fim. \u00dczerindeki elbiselerden yay\u0131lan \u0131\u015f\u0131lt\u0131yla g\u00f6zlerimizi al\u0131rken, elbiselerin alt\u0131nda ta\u015f\u0131d\u0131klar\u0131n\u0131 gizler gibisin. Yukar\u0131da \u2018melek\u2019 y\u00fcz\u00fcn\u00fc \u00e7izmeye \u00e7al\u0131\u015ft\u0131m, \u015fimdi \u0131\u015f\u0131lt\u0131 elbiselerini soyup altta ya\u015fatt\u0131\u011f\u0131n o \u2018\u015feytan\u2019 tenine dokunmak istiyorum.<\/p>\n
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Sen b\u00f6yle uzaklardan, \u00e7ok uzaklardan kopup k\u0131y\u0131lar\u0131m\u0131za sokulurken, beraberinde \u2018bir \u015fey\u2019 ta\u015f\u0131yorsun. Evet, bir \u015fey, tek bir \u015fey… D\u00fcnyan\u0131n bug\u00fcnk\u00fc ger\u00e7ekli\u011finde \u00f6ne f\u0131rlam\u0131\u015f paradigman\u0131n hayata bi\u00e7ti\u011fi elbiseyi \u2018herkes\u2019e giydiriyorsun. Herkes kendi i\u00e7inde \u00e7ok \u015feyken, \u00fclkeler kompart\u0131man\u0131nda \u00e7ok \u015fey ya\u015fan\u0131rken, senin herkese giydirdi\u011fin elbise i\u00e7inde \u2018\u00e7ok \u015fey\u2019in \u00f6lece\u011fi korkusu ya\u015fan\u0131yor. \u2018\u00c7ok \u015fey\u2019e sahip \u2018herkes\u2019in seninle birlikte \u2018tek \u015fey\u2019le yetinmesi durumu vard\u0131r. Bir rengin di\u011fer renkleri soldura soldura bask\u0131nla\u015fmas\u0131 s\u00f6zkonusu. <\/p>\n
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Tekilli\u011fin fa\u015fizminden bahsediyorum. \u00c7oklu\u011fun biraradal\u0131\u011f\u0131ndan do\u011fan gerilimin\/\u00e7at\u0131\u015fman\u0131n\/al\u0131p-vermenin b\u00fct\u00fcn\u00fcyle bitmesinden, yerini, tekli\u011fin kurup dayatt\u0131\u011f\u0131 d\u00fczenin do\u011furdu\u011fu monotonlu\u011fun ve \u00f6l\u00fcm\u00fcn almas\u0131ndan… \u00c7\u00fcnk\u00fc \u00f6yle bir \u015feysin ki, kendinden ba\u015fka her \u015feyi dize getirmek istiyorsun. Sen olmayan, sana benzemeyen, seninle paralel y\u00fcr\u00fcmeyen, biraz da y\u00fcr\u00fcy\u00fc\u015f\u00fcne engel olan en ufak bir farkl\u0131l\u0131\u011f\u0131 \u2018kara\u2019lay\u0131p, \u00fczerine y\u00fcr\u00fcyorsun. Ayk\u0131r\u0131l\u0131klar\u0131 \u00e7\u00f6ze \u00e7\u00f6ze ve sindire sindire, \u00e7ok \u2018uyumlu\u2019, \u00e7ok \u2018sessiz\u2019 ve \u00e7ok \u2018d\u00fczenli\u2019 bir d\u00fcnya kuruyorsun. Frans\u0131z filozof Jean Baudrillard, ya\u015fad\u0131\u011f\u0131m \u015fehirde yapt\u0131\u011f\u0131 konu\u015fmada, d\u00fczeninin \u00fcrk\u00fct\u00fcc\u00fc monotonlu\u011funa i\u015faret ederken, itiraf edeyim, \u00fcrkm\u00fc\u015ft\u00fcm. Kuyu gibi derin, kuyu gibi sessiz bir bo\u015fluk hissetmi\u015ftim. Herkese ayn\u0131 rengi giydirerek renklerin, herkesin diline ayn\u0131 s\u00f6zleri tak\u0131\u015ft\u0131rarak seslerin, herkese ayn\u0131 \u015feyleri ya\u015fatarak duygular\u0131n \u00f6l\u00fcm\u00fcne sebep oluyorsun. Tek ba\u015f\u0131na \u00e7ok \u015fey olan insan tekini kendi havuzuna at\u0131yor, onu orda, oraya att\u0131\u011f\u0131n di\u011fer insanlarla birlikte ayn\u0131la\u015ft\u0131r\u0131yorsun. \u0130nsanlar, r\u00fczg\u00e2r\u0131n \u00f6n\u00fcnde inip kalkan ba\u015faklar gibi, r\u00fczg\u00e2r\u0131nla bel k\u0131r\u0131p ba\u015f indiriyor. Ayn\u0131 giyiniyor, ayn\u0131 konu\u015fuyor, ayn\u0131 y\u00f6ne y\u00fcr\u00fcyorlar. Eskiden insanlar \u2018\u00fclke\u2019lerinde ayn\u0131la\u015f\u0131yorlard\u0131, \u015fimdi ise kurdu\u011fun \u2018d\u00fcnya\u2019da ayn\u0131la\u015f\u0131yorlar. \u0130nsanlar\u0131 \u00fclkelerinden \u00e7\u0131karman, onlar\u0131 ba\u015fka \u00fclkelerin insanlar\u0131yla bulu\u015fturman, sahici bir kar\u015f\u0131la\u015fmay\u0131 do\u011furmuyor. \u00dclkelerinden \u00e7\u0131kanlar, ba\u015fka \u00fclke insanlar\u0131yla oturduklar\u0131 sofraya kendi seslerini b\u0131rakam\u0131yorlar. \u00c7\u00fcnk\u00fc insanlar\u0131 kendi seslerinden soyundurarak \u00fclkelerinden \u00e7\u0131kar\u0131yorsun. Farkl\u0131 \u00fclkelerin insanlar\u0131, bir sofrada, ama \u2018sessizce\u2019 oturuyorlar. Kendi sesleriyle de\u011fil, onlar i\u00e7in geli\u015ftirdi\u011fin \u2018dil\u2019le konu\u015fuyorlar. Mesela \u2018D\u00fcnyan\u0131n \u0130ngilizcesi\u2019nden veya \u2018\u0130ngilizcenin D\u00fcnyala\u015fmas\u0131\u2019ndan bahsedilirken, di\u011fer dillerin \u00f6l\u00fcm\u00fc\/h\u00fck\u00fcms\u00fczle\u015fmesi anlat\u0131lm\u0131\u015f olunuyor.<\/p>\n
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Uzaklardan, \u00e7ok uzaklardan kopup gelen \u00e7\u0131lg\u0131n dalga, ars\u0131z k\u00fcreselle\u015fme! Televizyonun, g\u00f6r\u00fcnt\u00fcn\u00fcn, g\u00f6rselli\u011fin g\u00f6zetiminde bir d\u00fcnya kuruyorsun. B\u00fct\u00fcn bir insanl\u0131k, mavimsi \u0131\u015f\u0131lt\u0131lar yayan ekranlar\u0131n alt\u0131nda do\u011fuyor, b\u00fcy\u00fcyor ve \u00f6l\u00fcyor. Ekranda do\u011fumlar\u0131 seyredilen \u00e7ocuklar\u0131n \u00f6l\u00fcmleri de canl\u0131 yay\u0131nda ger\u00e7ekle\u015fiyor. \u0130nsanlar seyredilerek do\u011fuyor, seyrederek b\u00fcy\u00fcyor ve seyirlik bir malzeme olarak \u00f6l\u00fcyorlar. Bir \u2018b\u00fcy\u00fck birader\u2019 gibisin. Sanki Orwel\u2019in, Zamyatin\u2019in, Huxley\u2019in romanlar\u0131ndan f\u0131rlam\u0131\u015fs\u0131n. Hayatlar\u0131m\u0131z m\u0131 televizyonu do\u011furuyor, yoksa televizyon mu hayat\u0131m\u0131z\u0131 olu\u015fturuyor, \u015fa\u015f\u0131rd\u0131k. Ger\u00e7ek olan ne? Simulark nereye kadar g\u00f6t\u00fcr\u00fclebilir? Varolu\u015fsal kar\u015f\u0131l\u0131klar\u0131 olan, ac\u0131 ve sevin\u00e7leriyle sahici olan hayat \u2018matrix\u2019e mi d\u00f6n\u00fc\u015f\u00fcyor?<\/p>\n
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Birbirlerine kapal\u0131 ulus-devletlerin \u00e7\u00f6z\u00fcl\u00fc\u015f\u00fc, \u00fclkelerin birbirlerine ba\u011f\u0131ml\u0131l\u0131\u011f\u0131n\u0131 getirdi. Bu ekonomilerin, k\u00fclt\u00fcrlerin, siyas\u00ee yap\u0131lanmalar\u0131n i\u00e7 i\u00e7e ge\u00e7mesi anlam\u0131na geliyor. \u00d6yle bir ba\u011fl\u0131l\u0131k ki bu, uzak bir noktada \u00e7\u0131kan lokal problem d\u00fcnyan\u0131n di\u011fer ucunu da vuruyor. Kom\u015fumun ac\u0131s\u0131n\u0131 payla\u015f\u0131r, onunla \u00fcz\u00fcl\u00fcr\u00fcm. Bu iyi bir \u015feydir, bu beni iyi eden bir durumdur. Ancak senin kurdu\u011fun ba\u011fl\u0131l\u0131ktan \u00e7\u0131kan ac\u0131n\u0131n b\u00fct\u00fcne yay\u0131l\u0131m\u0131 b\u00f6yle bir \u015fey de\u011fildir. Ben kom\u015fumun ac\u0131s\u0131n\u0131 \u2018insan\u00ee\u2019li\u011fimden hareketle payla\u015f\u0131rken, istesem ondan uzak kalabilme durumum varken, senin ba\u011fl\u0131l\u0131\u011f\u0131nda, bir ba\u015fka \u00fclkenin teknik d\u00fczenlenmesinden do\u011fan lokal problemden ka\u00e7ma \u015fans\u0131m olmuyor. S\u00f6zkonusu lokal problem bir \u015fekilde gelip \u00fclkemin teknik d\u00fczenlemesini de bozuyor ve ben bu etkile(n)menin sonu\u00e7lar\u0131n\u0131 ya\u015famak zorunda kal\u0131yorum. Bu durum bana \u00e7ok anlaml\u0131 gelmiyor; anlaml\u0131 bir \u2018kaos\u2019ta ak\u0131\u015fan hayat\u0131n i\u00e7 diline ters bir yap\u0131lanma gibi geliyor. D\u00fcnyan\u0131n \u2018d\u00fczen\u2019 ad\u0131na bu \u015fekilde birbirine ba\u011f\u0131ml\u0131 k\u0131l\u0131nmas\u0131, her \u015feyin d\u00fczenlenmi\u015f olmas\u0131, b\u00fct\u00fcn ihtimallerin kontrol edilmesi, sald\u0131rgan bir \u2018g\u00fcvenlik saplant\u0131s\u0131\u2019n\u0131 geli\u015ftiriyor. Baudrillard konu\u015fmas\u0131nda \u015f\u00f6yle demi\u015fti: <\/p>\n
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Ey \u00e7\u0131lg\u0131n sular gibi \u00fczerimize gelen k\u00fcreselle\u015fme dalgas\u0131! \u00dcrk\u00fcten bu ironik durumun ne ad\u0131na benimsendi\u011fi anla\u015f\u0131l\u0131nca da, \u00fcrkm\u00fc\u015f insan bu sefer kahroluyor. Evet, insan\u0131 kahreden bir taraf\u0131n var. Ak\u0131\u015f\u0131nla birlikte dola\u015fan \u015fey \u2018de\u011fer\u2019 de\u011fil, \u2018para\u2019d\u0131r. Yeni d\u00fcnya d\u00fczeninde kurucu \u00f6\u011fenin para olmas\u0131, insan\u0131n ve insan\u00ee kazan\u0131mlar\u0131n geriye d\u00fc\u015fmesi demektir. \u00c7\u0131kar, yani para dominant hale gelip \u2018de\u011fer\u2019 \u00f6nemsizle\u015fince, \u2018g\u00fc\u00e7l\u00fc\u2019leri kim ve ne dizginleyecek? Ne olacak yoksul \u00e7ocuklar\u0131n ve g\u00fc\u00e7ten d\u00fc\u015fm\u00fc\u015f \u00fclkelerin hali? Dengeler nas\u0131l korunacak? \u2018K\u00f6t\u00fc\u2019 ve \u2018ac\u0131\u2019 olan\u0131n payla\u015f\u0131m\u0131 ka\u00e7\u0131n\u0131lmaz olacakt\u0131r. Peki \u2018iyi\u2019 olan\u0131n \u2018b\u00fct\u00fcn\u2019de dola\u015f\u0131m\u0131 m\u00fcmk\u00fcn olabilecek mi? \u2018Kutsal\u2019\u0131 dinlemeyecek gibi g\u00f6r\u00fcnen ak\u0131\u015f\u0131n, \u2018para\u2019 ve \u2018\u00e7\u0131kar\u2019a ra\u011fmen \u2018iyi\u2019yi ni\u00e7in tercih etsin?<\/p>\n
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Uzaklardan, \u00e7ok uzaklardan gelip k\u0131y\u0131lar\u0131m\u0131z\u0131 d\u00f6ven, kendini bize bizi kendine buland\u0131ran k\u00fcreselle\u015fme! I\u015f\u0131lt\u0131l\u0131 elbiselerin \u00e7ok al\u0131ml\u0131, insan\u0131n ba\u015f\u0131n\u0131 d\u00f6nd\u00fcr\u00fcyor. San\u0131yor ki insan, c\u0131v\u0131lt\u0131l\u0131 bir parks\u0131n. Gizlenen ne kadar \u2018uzak\u2019 varsa, bunlar\u0131 insana \u2018yak\u0131n\u2019 k\u0131l\u0131yorsun. Ancak elbiselerinin aral\u0131klar\u0131ndan g\u00f6r\u00fcnen \u015fi\u015fman bedenin, \u00fczerimize koca bir karanl\u0131k d\u00fc\u015f\u00fcr\u00fcyor. Kuyu gibi derin, kuyu gibi bu karanl\u0131kta, zihnimize uykular\u0131m\u0131z\u0131 ka\u00e7\u0131ran sorular \u00fc\u015f\u00fc\u015f\u00fcyor. <\/p>\n
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Yery\u00fcz\u00fcne indirilmi\u015f, derdi bu indirili\u015fin anlam\u0131n\u0131 kavramak ve bu anlama yabanc\u0131la\u015fmamak olan bu fani, bu mektupta sana i\u00e7ini a\u00e7t\u0131, i\u00e7ine d\u00fc\u015fen g\u00f6lgeni g\u00f6stermeye \u00e7al\u0131\u015ft\u0131. \u0130yimserlik ve karamsarl\u0131k aras\u0131nda gidip gelen y\u00fcre\u011fimin s\u00f6zlerini okudun. \u0130tiraf edeyim, ben her zaman kendimden yana kalaca\u011f\u0131m. Etrafa yayd\u0131\u011f\u0131n \u0131\u015f\u0131lt\u0131l\u0131 renklerin de olsa, tercihim bana \u2018iyi\u2019 gelenden yana. Kalbimi ve vicdan\u0131m\u0131 ve insan\u00eeli\u011fimi diri tutacak s\u00f6z, mek\u00e2n ve duru\u015flara tutunaca\u011f\u0131m. Bunu da b\u00f6yle bilmeni istiyorum.<\/p>\n
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04.02.2006 ADINA \u2018K\u00dcRESELLE\u015eME\u2019 denen \u00f6n\u00fcne ge\u00e7ilemez dalga, h\u0131r\u00e7\u0131n ve haylaz k\u00fcreselle\u015fme! Melek misin, yoksa \u015feytan m\u0131? Seninle birlikte zihnime \u00fc\u015f\u00fc\u015fen olumluluklardan, yukar\u0131da anlatmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m \u00e7ok \u00f6nemli geli\u015fmelerden kolay kolay vazge\u00e7mem s\u00f6zkonusu de\u011fil. Ancak korkular\u0131m\u0131, \u015f\u00fcphelerimi yazmadan da edemeyece\u011fim. \u00dczerindeki elbiselerden yay\u0131lan \u0131\u015f\u0131lt\u0131yla g\u00f6zlerimizi al\u0131rken, elbiselerin alt\u0131nda ta\u015f\u0131d\u0131klar\u0131n\u0131 gizler gibisin. Yukar\u0131da \u2018melek\u2019 y\u00fcz\u00fcn\u00fc \u00e7izmeye \u00e7al\u0131\u015ft\u0131m, \u015fimdi […]<\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"ppma_author":[194],"class_list":["post-89868","post","type-post","status-publish","format-standard","hentry","category-yazarlar"],"yoast_head":"\n