{"id":83823,"date":"2025-02-24T16:05:15","date_gmt":"2025-02-24T16:05:15","guid":{"rendered":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/meydan-okumalari\/"},"modified":"2025-02-24T18:55:23","modified_gmt":"2025-02-24T18:55:23","slug":"meydan-okumalari","status":"publish","type":"post","link":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/meydan-okumalari\/","title":{"rendered":"Meydan Okumalar\u0131"},"content":{"rendered":"

21.10.2000<\/p>\n

\u0130\u015eYER\u0130 \u0130LE evin aras\u0131na kilometreler koyan modern hayat\u0131n z\u0131dd\u0131na evde \u00e7al\u0131\u015fan biri olarak, i\u015fimi bitirip evden d\u0131\u015far\u0131 \u00e7\u0131kt\u0131\u011f\u0131m bir ak\u015fam \u00fcst\u00fcyd\u00fc. Apartman kap\u0131s\u0131ndan d\u0131\u015far\u0131 \u00e7\u0131kt\u0131\u011f\u0131m dakikada, kar\u015f\u0131m\u0131zdaki kiliseden d\u00f6nme lise binas\u0131n\u0131n kap\u0131s\u0131nda, okul hademesinin pek de k\u00fc\u00e7\u00fck olmayan k\u0131z\u0131n\u0131 g\u00f6recektim. Bu binan\u0131n \u00f6n\u00fcnden her ge\u00e7i\u015fimde, d\u00fcnk\u00fc hali mi, \u015fimdiki hali mi bana daha yak\u0131n diye sorar\u0131m ya, neyse. D\u00fcn bir b\u00f6l\u00fcm\u00fcnde ba\u015f\u0131 \u00f6rt\u00fcl\u00fc rahibelerin okudu\u011fu bu binadan \u00e7\u0131kan k\u0131z\u0131n k\u0131yafeti, tek kelimeyle, \u2018\u00e7a\u011fda\u015f\u2019t\u0131. M\u00fcteal bir Rabbin tesett\u00fcr emrine s\u0131rt \u00e7evirip kapitalist modac\u0131lar\u0131n tesett\u00fcr\u00fcn semtine u\u011framayan emirlerine teredd\u00fcts\u00fcz t\u00e2bi olman\u0131n t\u00fcm unsurlar\u0131n\u0131 i\u00e7eriyordu. \u00dcst\u00fcme farz olmayan; baban\u0131n maa\u015f\u0131, elbisenin tahmin\u00ee de\u011feri, bu paran\u0131n nas\u0131l temin edilebildi\u011fi, neye mal oldu\u011fu.. gibi hesaplar i\u00e7inde ilk soka\u011f\u0131 d\u00f6nd\u00fc\u011f\u00fcmde, kula\u011f\u0131ma gelen \u2018trak-trak\u2019 seslerinden, \u2018izlendi\u011fimi\u2019 anlam\u0131\u015ft\u0131m. \u00c7ok \u015f\u00fck\u00fcr, paranoyak filan de\u011fildim. \u0130nsanlar\u0131 giyimiyle etkilemek yahut giyimiyle etkilemeye \u00e7al\u0131\u015fanlardan etkilenmek gibi k\u00f6t\u00fc huylar\u0131m da yoktu. Dolay\u0131s\u0131yla, ayak seslerinin anlam\u0131n\u0131 do\u011fru yorumlamak i\u00e7in yeterli sebeplerim vard\u0131. Ben birka\u00e7 soka\u011f\u0131 daha a\u015f\u0131p bulundu\u011fumuz mahallin meydan\u0131n\u0131 ge\u00e7erek gidece\u011fim yere vas\u0131l olacakt\u0131m; m\u00e2l\u00fbm ki\u015finin yolu da galiba ayn\u0131 taraflara d\u00fc\u015f\u00fcyordu. Nitekim, birka\u00e7 soka\u011f\u0131 daha, ard\u0131mdan gelen trak-traklarla ge\u00e7tim; l\u00e2kin, Anadolu yakas\u0131n\u0131n en b\u00fcy\u00fck \u2018toplanma\u2019 yeri olan meydanda, sesler kesildi. Yan\u0131lmam\u0131\u015ft\u0131m. Kom\u015fumuz meydanda dola\u015fmaya \u00e7\u0131km\u0131\u015ft\u0131.<\/p>\n

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Ba\u015fka bir ak\u015fam \u00fcst\u00fc, ayn\u0131 meydan\u0131n biti\u015fi\u011findeki otob\u00fcs dura\u011f\u0131ndan, oturdu\u011fum yere en uzak mahalle do\u011fru bir yolculuk yapmam gerekmi\u015fti. Bir \u2018\u00f6zel araba muhalifi\u2019 olarak bindi\u011fim otob\u00fcs bo\u015f say\u0131lmazd\u0131, ama t\u0131kl\u0131m t\u0131kl\u0131m da de\u011fildi. Velhas\u0131l, otomobil tiryakilerinin asla nail olamad\u0131\u011f\u0131 bir nimetle bir kez daha y\u00fczy\u00fcze idim. Durdu\u011fum k\u00f6\u015feden, insanlar\u0131n k\u0131yafetine, y\u00fcz \u00e7izgilerine, tav\u0131rlar\u0131na, okuduklar\u0131 gazetelere, indikleri semte bakarak, \u2018ba\u015fka t\u00fcrl\u00fc okumalar\u2019\u0131m\u0131 s\u00fcrd\u00fcrebilirdim. Bindi\u011fim otob\u00fcs zengin-fakir, ta\u015fra k\u00f6kenli-kentli, \u2018\u00e7a\u011fda\u015f\u2019-\u2018geleneksel\u2019 semtlerden ge\u00e7erek, k\u0131smen fakir, ta\u015fra k\u00f6kenli ve geleneksel bir diyarda duracakt\u0131. Kim nerede inebilir diye fikir y\u00fcr\u00fct\u00fcrken, kar\u015f\u0131ma, ger\u00e7ek boyunu tesbit i\u00e7in g\u00f6r\u00fcnd\u00fc\u011f\u00fc boydan on santim d\u00fc\u015fmem gereken, zira Rabbinin kendisine verdi\u011fi boy t\u00fcm d\u00fcnyan\u0131n ili\u011fini emerek s\u00f6m\u00fcren Bat\u0131n\u0131n besili \u00e7ocuklar\u0131na g\u00f6re k\u0131sa d\u00fc\u015ft\u00fc\u011f\u00fc i\u00e7in on santim topuklu ayakkab\u0131larla hem kendini, hem ba\u015fkalar\u0131n\u0131 aldatmaya \u00e7al\u0131\u015fan biri \u00e7\u0131k\u0131verdi. \u00dcstteki elbise, s\u0131rttaki \u00e7anta, y\u00fczdeki ifade, y\u00fcz boyas\u0131ndaki pastel tercihler, bu ki\u015finin durumunu a\u015fa\u011f\u0131-yukar\u0131 ele veriyordu. Otob\u00fcs\u00fcn yolu daha ta\u015fra k\u00f6kenli semtlere varmadan inece\u011fi muhakkakt\u0131.<\/p>\n

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Yan\u0131ld\u0131\u011f\u0131m\u0131, duraklar bir bir ge\u00e7ilirken anlad\u0131m. Sonunda, ayn\u0131 durakta inmi\u015f olduk. Elimdeki tarif, gidece\u011fim adres i\u00e7in uzun bir yoku\u015fu a\u015fmam gerekti\u011fini g\u00f6steriyordu, onu da o yoku\u015fta g\u00f6rd\u00fcm. O, yoku\u015fun orta yerindeki k\u00f6hnemi\u015f bir ah\u015fap evin kap\u0131s\u0131ndan i\u00e7eri girdi; benim yolum yukar\u0131lara do\u011fru devam etti.<\/p>\n

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Ve yak\u0131n zamanlarda vuku bulan bu iki olay, \u2018okumalar\u2019 listeme meydanlar\u0131 da eklememe yetti. O g\u00fcn bu g\u00fcn, bulundu\u011fum yerin yak\u0131n\u0131ndaki meydandan ba\u015flayarak, f\u0131rsat bulduk\u00e7a meydanlar\u0131 okumaya \u00e7al\u0131\u015ft\u0131m.<\/p>\n

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G\u00f6rd\u00fc\u011f\u00fcm en \u00f6nemli nokta, meydanlar\u0131n bir \u2018toplanma\u2019 ve \u2018g\u00f6sterme\u2019 yeri olu\u015fuydu. Meydanlar, yaln\u0131z \u00e7evre sokaklarda oturan insanlar\u0131n de\u011fil, \u00e7ok daha geni\u015f bir \u00e7evrenin \u00e7ekim merkezi h\u00fckm\u00fcndeydiler. Mesel\u00e2, oturdu\u011fum Kad\u0131k\u00f6y\u2019\u00fcn meydan\u0131, Alt\u0131yol\u2019u ve Bahariye\u2019si de dahil olmak \u00fczere, b\u00fct\u00fcn bir Anadolu yakas\u0131n\u0131n toplanma yeriydi. Ger\u00e7i \u00dcmraniye\u2019nin, \u00dcsk\u00fcdar\u2019\u0131n, Beykoz\u2019un, Kartal\u2019\u0131n.., velhas\u0131l her bir il\u00e7enin ve her bir semtin daha k\u00fc\u00e7\u00fck \u00f6l\u00e7ekli meydanlar\u0131 vard\u0131; ama Kad\u0131k\u00f6y, her semtten insan\u0131 kendine \u00e7ekiyordu. Ayn\u0131 \u015fekilde, Bak\u0131rk\u00f6y meydan\u0131 b\u00fct\u00fcn bir Rumeli yakas\u0131n\u0131 kendinde topluyor; Taksim meydan\u0131 ise, \u0130stikl\u00e2l Caddesi ile birlikte, yaln\u0131z Beyo\u011flu yakas\u0131n\u0131n de\u011fil, b\u00fct\u00fcn \u0130stanbul\u2019un en b\u00fcy\u00fck \u00e7ekim alan\u0131 niteli\u011fini ta\u015f\u0131yordu. (Burada yap\u0131lmas\u0131 d\u00fc\u015f\u00fcn\u00fclen cami, biraz da bunun i\u00e7in olay oldu zaten).<\/p>\n

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Her meydan, bir yanda otob\u00fcs, dolmu\u015f, taksi, vapur, tramvay ve sair ara\u00e7lar\u0131yla bir aktar\u0131m ve ula\u015f\u0131m yeriydi. Ama, ondan da \u00f6nce, tan\u0131\u015fma, bulunma, g\u00f6rme, g\u00f6r\u00fclme, gezme, e\u011flenme, yeme ve i\u00e7me yeri. Zaten, etraf\u0131ndaki binalar\u0131n \u00f6zellikle zemin katlar\u0131, bunu rahatl\u0131kla ele veriyordu. Giyim ma\u011fazalar\u0131, saatlerce oturulan s\u00f6zde \u2018fast\u2019-food\u2019lar, b\u00fcfesinden kafeteryas\u0131na t\u00fcrl\u00fc\u00e7e\u015fit yeme-i\u00e7me yerleri, sinemalar, ve de banka binalar\u0131.<\/p>\n

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\u0130nsanlar, d\u00fckkanlar\u0131n cinsi a\u00e7\u0131s\u0131ndan asl\u0131nda m\u00fcthi\u015f bir tek-tiple\u015fme bar\u0131nd\u0131ran bu mek\u00e2nlarda, bir s\u00f6zde \u00e7e\u015fitlili\u011fin b\u00fcy\u00fcs\u00fcne kap\u0131l\u0131rlar. Hepsi de \u2018giyim\u2019 sekt\u00f6r\u00fcnde i\u015fg\u00f6ren y\u00fczlerce d\u00fckkan, binlerce \u00e7e\u015fit k\u0131yafetle ku\u015fat\u0131r zihnimizi. S\u0131cak \u00e7ikolatadan k\u0131zarm\u0131\u015f pilice, \u0130zmir lokmas\u0131ndan Mara\u015f dondurmas\u0131na uzanan bir ba\u015fka \u00e7e\u015fitlilik ise, asl\u0131nda yaln\u0131zca dile ve dama\u011fa hitap eder. B\u00f6ylesi bir s\u00f6zde \u00e7e\u015fitlilik i\u00e7inde, kendini unutur insan. Vitrinler ona ihtiya\u00e7lar\u0131 elbise ve yiyip-i\u00e7mekten ibaretmi\u015f gibi g\u00f6sterir; bu ihtiya\u00e7lar\u0131n kar\u015f\u0131lanmas\u0131 i\u00e7in para gerekti\u011fini ise hem etiketler, hem de banka binalar\u0131 ilan eder. Bu meydanlarda, ipek, saten elbiseler, yemeler, i\u00e7meler, kahkahalar ve g\u00fcl\u00fc\u015fmeler vard\u0131r; ama t\u00fcm bunlardan s\u00f6z etti\u011fi \u00fcnl\u00fc \u015fiirinde Heinrich Heine\u2019nin ger\u00e7ekle\u015ftirdi\u011fi harika \u2018final cut\u2019 bir t\u00fcrl\u00fc hat\u0131ra gelmez. Bir ba\u015fka \u015fiirinde “deniz kenar\u0131nda \u0131ss\u0131z bir gece denizi,” dalgalara hayat\u0131n s\u0131rr\u0131n\u0131 soran \u015fair, g\u00fczel g\u00fczel bunlar\u0131 anlatm\u0131\u015f, ve \u015fiirini “Ah! Ke\u015fke kalbiniz de olsayd\u0131” diye noktalam\u0131\u015ft\u0131r. Ger\u00e7i herkeste kalb vard\u0131r; ama meydanlar\u0131n kalbi yoktur. Meydanlar insan\u0131 kalbi, ruhu, akl\u0131, sorular\u0131 ve aray\u0131\u015flar\u0131 olan biri olarak de\u011fil; yiyen, i\u00e7en, giyinen ve kur yapan canl\u0131lar olarak sunar.<\/p>\n

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Yahut, \u015fu \u00e7a\u011f\u0131n meydanlar\u0131 \u00f6yle sunar. Zira, bug\u00fcn\u00fcn mesel\u00e2 camisiz, kiliselerin de arkada kald\u0131\u011f\u0131 Taksim meydan\u0131n\u0131n aksine, d\u00fcnk\u00fc \u0130stanbul\u2019un as\u0131l meydan\u0131, bir iman ve kulluk vurgusu y\u00fckl\u00fcd\u00fcr. Konstantinopol\u2019\u00fcn meydan\u0131 Ayasofya\u2019d\u0131r. Ad\u0131n\u0131 bile bir azizeden almaktad\u0131r. Zira, hemen biti\u015fi\u011finde, \u00fcnl\u00fc Ayasofya kilisesi vard\u0131r. Osmanl\u0131 \u0130slambol\u2019unun ana meydan\u0131 da buras\u0131 olmu\u015f; insanlar Ayasofya ve Sultanahmet gibi iki g\u00f6rkemli mabedin ortas\u0131nda ruhlar\u0131n\u0131n gergefini dokumu\u015ftur. TC \u0130stanbul\u2019unda ise, ak\u0131l-kalb, iman-hayat, d\u00fcnya-ahiret dengesi ve denklemi a\u00e7\u0131s\u0131ndan d\u00fcnyev\u00ee olan\u0131n lehine keskin bir \u2018taksimat\u2019\u0131 dile getirir Taksim.<\/p>\n

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\u0130nsanlar bu modern meydana gelir gelmez ne Kilise g\u00f6r\u00fcr, ne de cami. Ne \u0130sa aleyhissel\u00e2mla gelen mesaj hat\u0131r\u0131na gelir, ne Muhammed aleyhissal\u00e2tu vessel\u00e2m ile gelen. Macdonalds ruhunuzu de\u011fil, midenizi doyurur ve de cebinizi hafifletir. Filan, falan, fe\u015fmek\u00e2n marka giysiler, bedeninizi \u00f6rter; ama ruhunuzu \u00e7\u0131r\u0131l\u00e7\u0131plak kalmaktan da, imandan \u00fcryan kalm\u0131\u015f bir ruhun \u00fc\u015f\u00fcmesinden de kurtarmaz sizi\u00f3\u00fcstelik, \u015fimdilerde elbiseler bedenleri dahi \u00f6rtm\u00fcyor! Vitrinler, y\u00fczler, k\u0131zart\u0131lm\u0131\u015f pili\u00e7ler, s\u0131cak \u00e7ikolatalar, patlam\u0131\u015f m\u0131s\u0131rlar, filancan\u0131n \u00fcst\u00fcndeki k\u0131yafet, fe\u015fmekan\u0131n sa\u00e7 kesimindeki acaiplik, falanca filmin ba\u015flama saati, X ma\u011fazas\u0131ndaki ucuzluk.. derken, insan kendi ger\u00e7e\u011fini unutur. Ne fanili\u011fi akl\u0131na gelir; ne bir mikroba bile s\u00f6z ge\u00e7iremeyecek kadar zay\u0131f ve \u00e2ciz oldu\u011fu halde sonsuz istekler ve de sonsuzluk arzusuyla donat\u0131lm\u0131\u015f oldu\u011fu paradoksu. \u00dcst\u00fcndeki elbiseyle edindi\u011fi \u2018etkileyicilik\u2019in sahteli\u011fi de, on y\u0131l sonra buru\u015facak bir y\u00fcz\u00fcn Saniine de\u011fil, sahibine tutulman\u0131n \u015fa\u015fk\u0131nl\u0131\u011f\u0131 da gelmez akla. “Ay, \u015fu g\u00f6mle\u011fin kuma\u015f\u0131 ne harika!” “\u015eu adam\u0131n sa\u00e7lar\u0131na bak!” “Ulan \u015fu k\u0131z\u0131 g\u00f6r\u00fcyor musun?” “Miniminnac\u0131k fincan\u0131na y\u00fcz bin lira verip \u015fu s\u0131cak \u00e7ikolatay\u0131 i\u00e7mek ister misin?” “Bi dakka can\u0131m, \u015fu vitrinde g\u00fczel \u015feyler var.” “Hadi ama filim ba\u015flayacak.” “Bak Erol, sinirimi bozuyorsun.”<\/p>\n

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Meydanlar\u0131n kula\u011f\u0131 olsa, ak\u015fam da ge\u00e7ip her yer sessizli\u011fe b\u00fcr\u00fcnd\u00fc\u011f\u00fcnde bunlar\u0131 tekrarlard\u0131 size. Hayat\u0131n anlam\u0131n\u0131 kesinlikle s\u00f6yleyemez, ama modern hayat\u0131n anlams\u0131zl\u0131\u011f\u0131n\u0131 f\u0131s\u0131ldard\u0131. Meydanlar\u0131n r\u00f6ntgen-misal g\u00f6zleri olsa, harcamas\u0131yla hava atan nicelerinin, o an cepteki son kuru\u015fu da t\u00fcketti\u011fini bildirirdi.<\/p>\n

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Ama meydanlar dilsiz; \u00e7a\u011f\u0131n insan\u0131 ise ketuz ve renksizdir. Renk vermemek i\u00e7in y\u00fcz\u00fcne t\u00fcrl\u00fc t\u00fcrl\u00fc boyalar s\u00fcrer; i\u00e7inde olan\u0131 i\u00e7inde gizler. Do\u011falm\u0131\u015f gibi g\u00f6z\u00fcken nice pozu, asl\u0131nda ayna kar\u015f\u0131s\u0131nda saatlerce \u00e7al\u0131\u015ft\u0131ktan sonra verdi\u011fini s\u00f6ylemez. Asl\u0131nda \u00e7ok uzaklarda bir gecekonduda yahut k\u00f6hne bir dairede cenneti d\u00fcnyada araman\u0131n getirdi\u011fi bir dizi kompleksle ve yetersizlikle ya\u015fad\u0131\u011f\u0131n\u0131 da s\u00f6ylemez. Hatta, meydanlarda, kendini kendinden dahi gizler modern insan. Meydanlar\u0131n modern i\u015flevi, kalabal\u0131k i\u00e7inde kendini unutma; sorular\u0131, paradokslar\u0131 ve aray\u0131\u015flar\u0131 hepten unutmad\u0131r.<\/p>\n

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Meydanlarda kendimize dahi gizlenen, ba\u015fkalar\u0131na haydi haydi gizlenir. Oturdu\u011fumuz semte asla yolu d\u00fc\u015fmeyecek olan, d\u00fc\u015fse bile insan\u0131n \u2018de\u011fer\u2019ini oturdu\u011fu semtteki dairelerin sat\u0131\u015f fiyat\u0131na g\u00f6re belirledi\u011fi i\u00e7in bizi de\u011fersiz bulacak olan gerzek modernlerin ilgisini ancak o semtin \u00e7ok uza\u011f\u0131ndaki, herkesin farkl\u0131 ve daha iyi g\u00f6r\u00fcnme ad\u0131na tek-tiple\u015fti\u011fi meydanlarda \u00e7eker nice insan. Eh, ilk ad\u0131mda oturdu\u011fumuz semti gizler, asl\u0131nda bir kap\u0131c\u0131n\u0131n k\u0131z\u0131 veya o\u011flu oldu\u011fumuzu da gizler; ac\u0131 ger\u00e7e\u011fi, ilgili ki\u015fi bize iyice a\u015f\u0131k olduktan sonra if\u015fa ederiz. Ger\u00e7i o zaman birdenbire asl\u0131nda a\u015f\u0131k filan olmad\u0131\u011f\u0131n\u0131 farkedenler olur; ama en garantilisi gene de budur. \u00d6yle olmasa bile, meydanlar\u0131n cafcafl\u0131 vitrinleri, l\u00fcks binalar\u0131, iyi giyimli ve bol boyal\u0131 \u00e7ehreleri insan\u0131 bir zaman i\u00e7in olsun hayal d\u00fcnyas\u0131nda ya\u015fat\u0131r. Alamasa bile, filan l\u00fcks ma\u011fazan\u0131n vitrinindeki otuz alt\u0131 milyon liral\u0131k tak\u0131m elbiseyi \u00fcst\u00fcnde farzetme imk\u00e2n\u0131 sa\u011flar. En \u00f6nemlisi, Goethe\u2019nin k\u0131sa bir dizede \u00f6zetledi\u011fi \u00e7eli\u015fkiyi unutturur. “Hayat k\u0131sa, g\u00fcnler uzun” gelir bize. Her an\u0131n\u0131 her an\u0131n ve her\u015feyin Sahibini tan\u0131makla ge\u00e7irmeyi reddedi\u015fin acil cezas\u0131, \u2018ge\u00e7miyor g\u00fcnler ge\u00e7miyor\u2019 feryad\u0131d\u0131r. Ve meydanlar, bize aldat\u0131c\u0131 me\u015fgaleler sunarak g\u00fcn\u00fc kurtar\u0131r.<\/p>\n

<\/p>\n

K\u0131sacas\u0131, \u2018ba\u015fka t\u00fcrl\u00fc okumalar\u2019\u0131n izini s\u00fcrenler i\u00e7in, aldat\u0131c\u0131 bir cila k\u00fcp\u00fcd\u00fcr meydanlar. Bir \u00fclkenin, bir toplumun ger\u00e7ekten ne halde oldu\u011funu de\u011fil, ne halde olmak istedi\u011fini ele verir. \u0130\u00e7 d\u00fcnyalar\u0131n\u0131n haritas\u0131n\u0131 \u00e7izer size. Meydanlara bak\u0131p, bu toplum b\u00f6yle san\u0131r iseniz, aldan\u0131rsan\u0131z. Ama yine meydanlara bak\u0131p, bu toplumun insanlar\u0131 buna \u00f6zlem duyuyor, b\u00f6yle olmak istiyor, kendini bu \u015fekilde sunuyor mesaj\u0131n\u0131 \u00e7\u0131kar\u0131rsan\u0131z, m\u00fcthi\u015f dersler edinirsiniz. Mesel\u00e2, \u015fu g\u00fcnlerde \u0130stanbul\u2019un veya herhangi bir Anadolu \u015fehrinin meydan\u0131nda dola\u015f\u0131n: RP\u2019nin iktidar olu\u015funu \u2018din\u00ee geli\u015fme\u2019ye ba\u011flaman\u0131n da, bundan dolay\u0131 MGK toplaman\u0131n da sa\u00e7mal\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcrs\u00fcn\u00fcz. \u015eu g\u00fcn\u00fcn toplumunda, dinlisi-dinsizi ile meydanlarda basiretli g\u00f6zlerle \u00e7ekilen foto\u011fraflar, herkesin g\u00f6z\u00fcn\u00fc d\u00fcnyaya dikti\u011fini resmetmektedir. Ve yine \u015fu g\u00fcn\u00fcn toplumunda, meydanlar\u0131n etraf\u0131nda k\u00fcmelenen yap\u0131lar, insanlar\u0131n ne ile me\u015fgul oldu\u011funu ele vermektedir. Para, yemek, elbise!<\/p>\n

<\/p>\n

Do\u011frusunu s\u00f6yleyeyim, ister Divarese, Stefanel, Benetton, Garibaldi ismini ta\u015f\u0131s\u0131n; ister ad\u0131 Huzur, Meymenet veya Tekbir olsun, meydanlar\u0131 \u00e7evrelen ma\u011fazalar beni hi\u00e7 cezbetmiyor. Rabbimin binbir isminin say\u0131s\u0131z cilvesini okumaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m \u015fu k\u00e2inatta, yeterince me\u015fgul\u00fcm. \u0130ster Mcdonalds, Kentucky, Burger King, Pizza Hut ismini ta\u015f\u0131s\u0131n; ister ad\u0131 Hac\u0131o\u011flu, Halil \u0130brahim Sofras\u0131 yahut Ensar olsun, yedi\u011fimi ba\u015fkalar\u0131n\u0131n g\u00f6rd\u00fc\u011f\u00fc, yiyemeyenlerin imrendi\u011fi, yiyenlerin de kaz\u0131kland\u0131\u011f\u0131 lokantalar\u0131n uza\u011f\u0131nday\u0131m.<\/p>\n

<\/p>\n

Benim referans\u0131m\u0131 modern hayat\u0131n \u2018s\u00fcnnet-i seyyie\u2019si de\u011fil, en sevgili insan\u0131n \u2018s\u00fcnnet-i seniyye\u2019si olu\u015fturuyor. Peygamber \u015fehrinin meydan\u0131nda ise Mescid vard\u0131. Ne giyim ma\u011fazalar\u0131, ne lokantalar vard\u0131; ve orada insanlar en hayat\u00ee sorulara cevaben gelen il\u00e2h\u00ee vahyin ayd\u0131nl\u0131\u011f\u0131n\u0131 payla\u015f\u0131yorlard\u0131.<\/p>\n

<\/p>\n

\/kitap.asp?book=134<\/p>\n","protected":false},"excerpt":{"rendered":"

21.10.2000 \u0130\u015eYER\u0130 \u0130LE evin aras\u0131na kilometreler koyan modern hayat\u0131n z\u0131dd\u0131na evde \u00e7al\u0131\u015fan biri olarak, i\u015fimi bitirip evden d\u0131\u015far\u0131 \u00e7\u0131kt\u0131\u011f\u0131m bir ak\u015fam \u00fcst\u00fcyd\u00fc. Apartman kap\u0131s\u0131ndan d\u0131\u015far\u0131 \u00e7\u0131kt\u0131\u011f\u0131m dakikada, kar\u015f\u0131m\u0131zdaki kiliseden d\u00f6nme lise binas\u0131n\u0131n kap\u0131s\u0131nda, okul hademesinin pek de k\u00fc\u00e7\u00fck olmayan k\u0131z\u0131n\u0131 g\u00f6recektim. Bu binan\u0131n \u00f6n\u00fcnden her ge\u00e7i\u015fimde, d\u00fcnk\u00fc hali mi, \u015fimdiki hali mi bana daha yak\u0131n […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"ppma_author":[132],"class_list":["post-83823","post","type-post","status-publish","format-standard","hentry","category-yazarlar"],"yoast_head":"\nMeydan Okumalar\u0131 - Karakalem<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Meydan Okumalar\u0131 - Karakalem\" \/>\n<meta property=\"og:description\" content=\"21.10.2000 \u0130\u015eYER\u0130 \u0130LE evin aras\u0131na kilometreler koyan modern hayat\u0131n z\u0131dd\u0131na evde \u00e7al\u0131\u015fan biri olarak, i\u015fimi bitirip evden d\u0131\u015far\u0131 \u00e7\u0131kt\u0131\u011f\u0131m bir ak\u015fam \u00fcst\u00fcyd\u00fc. 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Yaz\u0131 hayat\u0131, ilkokuldan \u00f6nce ba\u015flad\u0131. Ablas\u0131na bakarak yazmay\u0131 \u00f6\u011frendikten sonra yazd\u0131\u011f\u0131 ilk yaz\u0131s\u0131, ba\u015fl\u0131\u011f\u0131yla birlikte sadece iki c\u00fcmleden ibaretti: \u201cAllah kimleri sever? 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Yaz\u0131 hayat\u0131, ilkokuldan \u00f6nce ba\u015flad\u0131. Ablas\u0131na bakarak yazmay\u0131 \u00f6\u011frendikten sonra yazd\u0131\u011f\u0131 ilk yaz\u0131s\u0131, ba\u015fl\u0131\u011f\u0131yla birlikte sadece iki c\u00fcmleden ibaretti: \u201cAllah kimleri sever? Allah do\u011fru yolda gidenleri sever, e\u011fri yolda gidenleri sevmez.\u201d (Aradan ge\u00e7en bunca zaman i\u00e7inde yazd\u0131klar\u0131yla, h\u00e2l\u00e2 daha bu iki c\u00fcmlenin a\u00e7\u0131l\u0131m\u0131n\u0131 yapmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyor.)"}],"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/posts\/83823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/comments?post=83823"}],"version-history":[{"count":1,"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/posts\/83823\/revisions"}],"predecessor-version":[{"id":84298,"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/posts\/83823\/revisions\/84298"}],"wp:attachment":[{"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/media?parent=83823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/categories?post=83823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/tags?post=83823"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.karakalem.avrupabelge.com\/karakalem\/wp-json\/wp\/v2\/ppma_author?post=83823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}